As the writer of a genre column, I spend an inordinate amount of time contemplating the balance between “classic” and “updated” when it comes to monster movie tropes in vampire, werewolf, and zombie fare. How much can a new offering stick to the proscribed strictures of, say, werewolf lore without feeling stale or, at best, adequate? How far can a new film stray from those details without sacrificing the pleasing familiarity we all love, a dependence on immutable truths like zombies are slow, and vampires go poof in the daylight? Every film should have the opportunity to make its own […]
by Farihah Zaman on Feb 1, 2013