Here are some of the articles I’ve read this week that I recommend for your Sunday afternoon reading. “Whose Brooklyn Is It Anyway?” wonders A.O. Scott at the New York Times as he considers Spike Lee’s recent comments on the borough’s gentrification: Every city is simultaneously a seedbed of novelty and a hothouse of nostalgia, and modern New York presents a daily dialectic of progress and loss. As Colson Whitehead notes in “The Colossus of New York,” you become a New Yorker — or perhaps a true resident of any place, whether you were born there or not — when […]
by Scott Macaulay on Mar 30, 2014I learned a lot about myself during IFP’s Independent Film Week. I shared the experience with my brilliant/disgustingly attractive producer, Cecilia. Here is a photo of her to prove to you that I am not exaggerating. You can’t tell from the photo, but she has an Italian accent. This really enhances the allure. Also, I try to photobomb as many pics of her as possible. She’s one of my closest friends. We met all the way back in undergrad when she produced a really cheesy dating-comedy I was far too proud of having written. Last week, we spent every waking […]
by Desiree Akhavan on Sep 27, 2012Yesterday I attended the “How the Critics Saved My Film” Film Week panel, featuring the pre-eminent critic for the New York Times A.O. Scott (I discovered with pleasure yesterday that his friends call him “Tony”), critics David D’Arcy and Miriam Bale, and filmmaker Alex Ross-Perry. One subject that wasn’t addressed in the panel, but that is pertinent to all of this, is the quality of writing in film criticism. Since I am a filmmaker (whose films will need to be saved), the way a review is written feels important to me, and it’s not just because I like good writing. […]
by Naftali Beane Rutter on Sep 19, 2012Unless you are a very serious basketball player — at minimum serious intramural league level, or one of those Wall Street guys who absolutely must blow off a ton of steam by playing their hearts out on the court or else they’ll absolutely lose their soul — there is a very distinct qualitative difference between what it feels like to play basketball for a while and to run for a while. After you finish playing basketball for a while you feel good, you’ve gotten some good cardio, but that cardio is intermittent, the game being filled with plenty of pauses […]
by Zachary Wigon on Jun 7, 2011Not to pick on Anne Thompson again, a fine industry journalist certainly, but a blog entry she published this past Friday piqued my interest for all the wrong reasons. (See the post, the healthy comments thread, and also David Poland’s response.) Thompson took a critical stance on a new feature of the New York Times’ Carpetbagger section, where lead critics Manohla Dargis and A.O. Scott will provide an in-depth answer to one reader’s question every month. Allowing the critics to choose a question to answer, and giving them some time to work on their response, as opposed (one presumes) to […]
by Zachary Wigon on Feb 21, 2011Alice Munro wrote a short story once called “Deep Holes,” and it’s as fitting a title as any when one considers her body of work. Munro has made a career out of writing the same short story over and over again, but because that story is shot through with an incredible amount of depth, with endless bottoms of nuance and complexity and minor shifts and adjustments each time, it constantly amazes. Jonathan Franzen (who himself rewrote his 2001 classic novel The Corrections as the even better Freedom), reviewing Munro’s 2004 collection Runaway, nailed it: I like stories because it takes […]
by Zachary Wigon on Feb 14, 2011When did the New York Times’ videos become embeddable? Here’s another of A.O. Scott’s movie appreciations, this time of one of my favorite documentaries of all time, Errol Morris’s Fast Cheap and Out of Control.
by Scott Macaulay on Aug 10, 2010