A24
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“… People Bond with Marcel the Way You Bond with the Ladies in Grey Gardens“: Director Dean Fleischer-Camp on the Winning Animated Feature Marcel the Shell with Shoes On
When I interviewed Dean Fleischer-Camp and Jenny Slate about their short film, Marcel the Shell with Shoes On, for Filmmaker‘s 2010 25 New Faces series, both remember the project resulting from a period where they were a little down. Then a couple, Fleischer-Camp described being “unfilled” at work, while Slate said, ‘I was depressed… a little bit. We were at a time in our lives when whatever we made would have a layer of gravity. And the real magic of [the movie] to me is that it has this layer of gravity, but it’s still about an adorable little shell.” […]
by Scott Macaulay on Jul 13, 2022 -
Trailer Watch: A24’s Bodies, Bodies, Bodes
A new trailer has been released for A24’s forthcoming slasher comedy Bodies, Bodies, Bodies, which is set to hit theaters later this summer. Directed by Dutch actor/filmmaker Halina Reijn with a script by playwright Sarah DeLappe (and based off a story by “Cat Person” writer Kristen Roupenian), the film follows a “nihilistic” friend group that decides to play the titular murder-mystery game on a stormy night in one of their lavish mansions. What starts as a drug-fueled party game soon morphs into a real-life witch hunt when one of the friends is viciously murdered. Frantic to find the killer and […]
by Natalia Keogan on Jul 12, 2022 -
“Whenever Cinema is in Chaos, You Can Do a New Irma Vep“: Olivier Assayas on His New HBO Series
In the early 1990s, French director Olivier Assayas was invited to develop a remake of a classic work of French cinema for television. “I hadn’t known where to start until I remembered [Louis] Feuillade’s Vampires,” he remembered in 1996, referring to the 1915 silent serial in which Musidora played the costumed criminal Irma Vep. “I spent a few weeks considering the possibility, then I decided that, attractive as it was, I couldn’t take it any further. Somehow, my heart wasn’t in it.” A few years later, another invitation: this time to join Claire Denis and Atom Egoyan in the sort […]
by Scott Macaulay on Jun 23, 2022 -
“Ninety Percent of the Lighting Was Done Pretty Much How You Would’ve Done It in 1979”: Cinematographer Eliot Rockett on the Period Horror Film X
“The story can’t just change midway through,” exclaims a pretentious adult film director incredulously in X. It certainly can in a Ti West horror film, where one of the joys is often the shift from the methodical pace of the opening to the blood-drenched mania of the finale. Set in 1979, X finds a group of ambitious but inexperienced filmmakers heading to a remote Texas farm with dreams of making the next Debbie Does Dallas. However, the troupe fails to inform their hosts – an elderly couple who rent the crew their bunkhouse – about the purpose of their visit, […]
by Matt Mulcahey on Apr 21, 2022 -
“I Wanted the Hotdog Universe to Cross Over with the Taxes Universe”: Costume Designer Shirley Kurata on Everything Everywhere All at Once
Beyond the cartoonish mania of the multiverse action-comedy Everything Everywhere All At Once is a story about a mother and daughter, Evelyn (Michelle Yeoh) and Joy (Stephanie Hu). Their family laundromat is on the brink of falling out, though not for want of trying–both strive to get along, but the air between them remains tense and unpleasant. Under a scrupulous audit by a five-time award-winning IRS agent Deirdre Beaubeirdra (Jamie Lee Curtis), the laundromat may be taken away from the family too, and Evelyn’s sweetheart husband, Waymond (Ke Huy Quan), has secretly prepared divorce papers. Eventually, Joy decides it might […]
by A.E. Hunt on Apr 19, 2022 -
“All These Different Michelles Are the Stars of Their Different Stories” The Daniels on Their Michelle Yeoh-Starring Everything Everywhere All At Once
The multiverse threatens to swallow up Evelyn, a wife, mother, and laundromat owner in Everything Everywhere All At Once. Written and directed by The Daniels (Daniel Scheinert and Daniel Kwan), the film is a spectacular showcase for Michelle Yeoh, one of the great icons of Asian cinema. Like their earlier feature Swiss Army Man, EEAAO is by turns experimental and defiantly audacious. But it also taps into a commercial sensibility that finds a way to combine social media supercuts, Russo brothers spectacle, and old school Hong Kong filmmaking. In addition to Yeoh, the cast includes Jamie Lee Curtis, Stephanie Hsu, […]
by Daniel Eagan on Mar 24, 2022 -
Ambition in Filmmaking, Mia Goth’s Dual Role and His Sirkian A24 Prequel: Ti West on His SXSW-Premiering X
After 2016’s Western, In the Valley of Violence, and several years directing episodic TV, Ti West (The House of the Devil, The Inkeepers, The Sacrament) makes a very welcome return to the world of feature horror with X, a ’70s-set picture in which the sort of ambition that has characterized West’s impressive filmography is both evident on screen as well as the subtext driving the film’s characters. The set-up: a ragtag group of filmmakers ensconce themselves in a rented barn outside a foreboding farmhouse straight out of The Texas Chainsaw Massacre to make a porno feature, The Farmer’s Daughter. Mia […]
by Scott Macaulay on Mar 14, 2022 -
Back to One, Episode 173: Noomi Rapace
Noomi Rapace returns to the podcast (first time: Ep. 43) to talk about her new film, the atmospheric, slow-burn thriller Lamb. Set in Iceland, which Noomi knows well from her childhood, the film’s landscapes feel almost like supporting characters. She talks about using the emotions they brought up in her, and the delicate way she entered grief into the performance. After I share my embarrassing animal parenting story, Noomi matches it, and illustrates why it was not hard at all to make her motherly love for the lamb baby believable. She schools us on the importance of not sticking to […]
by Peter Rinaldi on Oct 12, 2021 -
Trailer Watch: Mike Mills’s C’mon, C’mon
After winning an Oscar for portraying a sociopathic villain, Joaquin Phoenix now essays a (seemingly gentle) radio journalist in the new picture from Mike Mills, his follow-up to 2016’s 20th Century Women. Gabby Hoffman co-stars in the road trip film, which finds Phoenix’s character traveling cross country to interview children and teens about the state of the world. Wrote Rodrigo Perez in his Playlist review, “Vaguely reminiscent of Wim Wenders’ Alice In The Cities—a journalist is saddled with a young girl and lets her tag along on his road trip—the filmmaker’s dynamic work shares little else with the film and […]
by Scott Macaulay on Sep 8, 2021 -
Trailer Watch: Sofia Coppola’s On the Rocks
In what looks like a bit of a spiritual sequel to Somewhere — if you add a couple or more decades to each of the characters — Bill Murray plays a womanizing dad concerned about the possibly adulterous activities of his daughter’s husband (Marlon Wayans) in Sofia Coppola’s On the Rocks. Rashida Jones plays the disbelieving daughter in a picture sure to bring the feels for the beauty of a pre-pandemic New York City. The film is forthcoming as the first venture between Apple TV+ and A24 and will be in theaters and online in October.
by Scott Macaulay on Aug 19, 2020
