Acting
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Back to One, Episode 82: Dorian Missick
I’ve wanted to sit down with Dorian Missick for some time. The seasoned actor has six dozen credits in television shows like Southland, Luke Cage, Tell Me A Story, and movies spanning from Two Weeks Notice to this year’s Brian Banks. In this hour, he passes on pearls of wisdom acquired from his many years in the business, like his new radical approach to auditions, why he aims for 100 reads of a script before first day of production, how he and his actor wife Simone Missick support each other’s journeys, and the importance of a “team sport” mentality, plus […]
by Peter Rinaldi on Nov 5, 2019 -
Back to One, Episode 81: Alex Wolff
He’s only 21, but going by the depth of his work and the eloquent way he talks about it, Alex Wolff feels like a seasoned veteran. “I’ve basically been on camera since the sonogram,” he says, joking about his childhood in The Naked Brothers Band with his brother, Nat, on Nickelodeon. Since then he’s knocked out a handful of impressive performances in films like Patriots Day, My Friend Dahmer, and Hereditary. Now he’s written, directed and stars in a labor of love called The Cat and The Moon. He talks about treating his actors like kings and queens on that […]
by Peter Rinaldi on Oct 29, 2019 -
Back to One, Episode 78: Cassidy Freeman
The wise and talented Cassidy Freeman plays Amber, wife of Danny McBride’s character Jesse, on the hilarious new HBO comedy series The Righteous Gemstones. She talks about the wonderful troupe mentality on that show, what acting in 60+ episodes of Smallville did to build her craft early in her career, the importance of creativity for the actor, plus much more! Back To One can be found wherever you get your podcasts, including Apple Podcasts, Google Play, and Stitcher. And if you’re enjoying what you are hearing, please subscribe and rate us! Photo credit: Catie Lafoon
by Peter Rinaldi on Oct 8, 2019 -
Back to One, Episode 77: Josh Pais
One could easily call Josh Pais a scene-stealer, but that’s not accurate. He actually feeds the other actor in the scene, and they both grow. Check out Leaves of Grass with Edward Norton, Synecdoche New York with Philip Seymour Hoffman, Lynn Shelton’s Touchy Feely, and his recent work on Ray Donovan, to name just a few of his dozens of credits. This fall he’s in Norton’s Motherless Brooklyn, and Joker with Joaquin Phoenix. In this episode he talks about finding the character in his body, counting on spontaneity, partying in the unknown, creating not recreating, and Committed Impulse, his high […]
by Peter Rinaldi on Oct 1, 2019 -
Back to One, Episode 76: Carroll Baker
Carroll Baker’s work in Elia Kazan’s Baby Doll and Jack Garfein’s Something Wild is just as impressive and valuable as any performance delivered by her legendary Actors Studio contemporaries Marlon Brando and James Dean. So why isn’t she talked about in the same way? After the simultaneous sensation and scandal of Baby Doll (it was condemned by the Legion of Decency), Baker became a star, but she spent most of her career either avoiding sex-symbol roles or begrudgingly accepting them. Despite a handful of other great performances (Giant, Cheyenne Autumn, The Big County, Station Six-Sahara), conflicts with studios, producers, and […]
by Peter Rinaldi on Sep 24, 2019 -
Back to One, Episode 74: Wyatt Russell
Despite growing up in a Hollywood family, Wyatt Russell didn’t seriously consider pursing acting until an injury ended his professional Hockey career. In a few years he’s managed to cultivate a subtle and distinct style in comedies (22 Jump Street), dramas (Overlord) and a unique and unclassifiable series that lies someone between (AMC’s Lodge 49). In this episode, he talks about embodying the lovable Dud in that series, embracing an enunciation lesson from Joe Wright, getting “caught watching” Michael Parks, plus much more! Back To One can be found wherever you get your podcasts, including Apple Podcasts, Google Play, and […]
by Peter Rinaldi on Sep 10, 2019 -
Back to One, Episode 72: Lee Pace
Lee Pace has one of those dream acting careers where he gets to be painted blue or dons elf ears to play Ronan (Guardians of the Galaxy) or Thranduil (The Hobbit films), sparking the imagination of countless fans around the world, and then he hits the Broadway stage and knocks ‘em dead as Joe Pitt in Angels in America. I ask him if he takes stock of that aspect of his career, and we talk about a curious note Barry Sonnenfeld gave him while making Pushing Daisies that he still uses to this day. Plus why he’s not bothered by […]
by Peter Rinaldi on Aug 27, 2019 -
Back to One, Episode 68: Damon Herriman
It’s rare for one actor to be cast as the same real-life character in two different productions almost simultaneously. When that real life character is Charles Manson, that makes some news. Australian actor Damon Herriman has taken on this challenging role in both Quentin Tarantino’s Once Upon A Time… In Hollywood and the second season of David Fincher’s Netflix series Mindhunter. Herriman is perhaps best know for playing Dewey Crowe in the series Justified and currently plays Paul Allen Brown in Perpetual Grace LTD. We talk about the character of Manson, how good writing makes for good acting, and why […]
by Peter Rinaldi on Jul 30, 2019 -
Back to One, Episode 67: Kevin Corrigan
Kevin Corrigan will always have a special spot in the Back To One pantheon, not just because he was the very first guest, but because he set the stage for the discussions on the craft of acting that were to come—personal, steeped in the work, confessional at times, often inspirational, always educational. In this hour, he shares some more inspiring personal experiences from a life in acting, and also talks about the work of those who’ve inspired him, from his friend Natasha Lyonne and his current co-star Pete Davidson, to Marlon Brando, Glenda Jackson, Taylor Negron, the actor Bob Dylan, […]
by Scott Macaulay on Jul 23, 2019 -
Back to One, Episode 66: Jesse Eisenberg
While he might be best known for his Oscar-nominated performance as Mark Zuckerberg in The Social Network, Jesse Eisenberg’s preternatural ability for making unique characterization choices has won him roles in wildly original films, both indie and studio, such as The End of the Tour, Adventureland, Holy Rollers, American Ultra, Zombieland, and two of my favorites, The Squid and the Whale and The Double. Now he continues that trend with Riley Stearns’ The Art of Self Defense. In this half hour he talks about the effort he put into finding the right tone to play the absurdity in that film, […]
by Peter Rinaldi on Jul 16, 2019
