Adèle Exarchopoulos
-
Unsparing and Risky Visions: The 2022 First Look Festival
Although its current edition overlaps the waning days of industry monolith SXSW, the Museum of the Moving Image’s annual international showcase First Look originally really was the first look. A scarce few days into the new year, New Yorkers had the opportunity to sample stateside premieres of often boundary-fuzzing selections from the global festival circuit, kicking off the next round of the same even ahead of Sundance, which it could hardly resemble less. The timing has shifted since the festival’s launch in 2011, under now-New York Film Festival artistic director Dennis Lim, but if anything the mission has become more […]
by Steve Dollar on Mar 18, 2022 -
Hot to the Touch: Abdellatif Kechiche on Blue is the Warmest Color
When Adèle eats spaghetti, it’s a sensual affair. The camera studies every move of her mouth, every lick of her fingers and knife. Her eyes are saucers. Her full lips pout. Unlike the slurpy absurdity of noodle-eating in Juzo Itami’s Tampopo, in Blue is the Warmest Color, spaghetti is no laughing matter; it’s a matter of love. And, since it’s directed by Abdellatif Kechiche, it’s also a matter of class: Adèle’s comfort food indexes a working-class background that cannot be left behind. “That is a theme that one could say is central across all my films,” Kechiche said to me […]
by Livia Bloom Ingram on Oct 21, 2013 -
NYFF Critic’s Notebook: 12 Years A Slave, Blue Is The Warmest Color, Like Father, Like Son
A substantial majority of the New York Film Festival slate is traditionally reserved for established auteurs and big-buzz festival titles. It might be better for adventurous film culture if NYFF and Cannes were to ditch the ballast of already established directors in favor of new and uncharted terrain, but that’s simply never going to happen and to protest otherwise is an unrealistic waste of time. (For those in the press corps, it’s also fun to bang through a dozen of the Year’s Most Important Releases in rapid sequence.) The U.S. premiere of Steve McQueen’s much-praised 12 Years A Slave may have […]
by Vadim Rizov on Oct 17, 2013
