Filmed over one continuous 1977 day at Pride parades across San Francisco, Chicago, New York, San Diego and other metropolises, Arthur Bressan Jr.’s Gay USA is a tapestry of anecdotes, embraces, misconceptions and confused onlookers. It not only captures the optimism and palpable ecstasy of the LGBT attendees of Pride ‘77, but uses the homophobic agenda of Anita Bryant in Dade County, Floridato provide political context as to why these happy men, women and non-binary folks galavanting along Castro Street and Greenwich Village still had very much at stake. Many of Bressan’s films outlined the political reality of being gay […]
by Natalia Keogan on Jun 25, 2019A month ago, director Steve Hoover wrote an excellent guest post for the Filmmaker site talking about the experience of making Blood Brother, the documentary about his childhood friend Rocky Braat, who moved to India to look after AIDS orphans. This week I got word from Hoover that a new trailer for the film has arrived, which you can watch below. Look out for Blood Brother early next year, when it should premiere at one of the winter festivals.
by Nick Dawson on Sep 28, 2012Once I had a dream to make a documentary in some sort of third world or developing third world country setting. I had no direction, no story and no clear vision, so unfortunately that dream died. Nearly a decade later, I had moved on to building a career in the music video and commercial world. By this time I had no desire to travel to any third world country, but my best friend Rocky Braat did. After sharing an apartment and parallel lives for about seven years, Rocky had gone off on a much different path. He had stumbled upon […]
by Steve Hoover on Aug 29, 2012Released in the past few days were two terrific trailers for films coming out in September that we covered in our Summer issue: David France’s AIDS activism documentary How to Survive a Plague, and writer/director Ira Sachs’ late 90s NYC-set gay drama Keep the Lights On. Go here to read “Of Time & The City,” the fascinating conversation between France and Sachs about these two films, which act almost as companion pieces to one another, and the poignant histories behind them.
by Nick Dawson on Aug 15, 2012David Weissman moved to San Francisco in 1976 and has been a fixture of the filmmaking community there, working on films like Crumb and In the Shadow of the Stars before directing his own movie (with Bill Weber), The Cockettes, a documentary chronicle of the legendary Bay Area performance group. With his latest, We Were Here, Weissman again digs into the history of the city, this time capturing the height of the AIDS epidemic in the 1980s. The following short conversation was conducted at Sundance before the first screening of his film. We Were Here opens in New York at […]
by Scott Macaulay on Sep 5, 2011Leading up to our 18th birthday, I’ll be revisiting on the blog one issue of Filmmaker a day. Today’s is Spring, 1993. For whatever reason, nothing from our third issue — Spring, 1993 — made it over when we ported to WordPress. Ted Hope had a lot of material in this issue: an interview with producer-turned-NYC film commissioner Richard Brick; a profile of up-and-coming d.p.’s; and a tutorial on how to break down a script. Also in this issue was Peter Bowen with our cover story on Nick Broomfield’s doc, Aileen Wuornos, a story that in its dramatic retelling would […]
by Scott Macaulay on Aug 4, 2010