Anne Fontaine
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Doctor’s Order: The Innocents
Determinism or free will? I’m flummoxed. This is my second successive review of a film about nuns. The first was Zach Clark’s Little Sister, in which meek ex-goth Colleen Lunsford (Addison Timlin) is a novice in a New York City convent whose mother superior, like the newcomer herself, doubts the young woman’s faith and commitment to the order of the Sisters of Mercy. During a trip to the family home in North Carolina — half therapy, half reunion with a brother mutilated from combat — she appropriates the flamboyance and kitsch that had been a substantial part of their youth. […]
by Howard Feinstein on Jun 30, 2016 -
“They Used Faith as a Fuel for Hope”: Director Anne Fontaine | Agnus Dei
In every film, there is the story that you knew you were telling, the story the audience perceives. But there is always some other story, a secret story. It might be the result of your hidden motivations for making the film, or, instead, the result of themes that only became clear to you after you made the movie. It might be something very personal, or it might be a story you didn’t even know you were telling. What is your film’s secret story? Twenty years ago, I met a couple of old Vietnamese nuns, who used to run an orphanage […]
by Soheil Rezayazdi on Jan 26, 2016
