American film studies and production programs are undergoing a major structural overhaul. A long-burgeoning movement comprised of academics and filmmakers are calling for the full decolonization of syllabi and cinematic offerings within these courses, which have historically foregrounded work by straight, white men as the pinnacle of what’s worth studying and emulating. Many academics and scholars hesitate to use the term “decolonize” broadly for fear of rendering it into a tepid buzzword (or worse, deflating the term to a borderline-meaningless liberal t-shirt slogan), yet it’s become an essential framework for many who wish to make meaningful changes within the confines […]
by Natalia Keogan on Jul 12, 2021Project Catalyst, an “innovative transmedia initiative that fuses creative community building with cinema, art, music, and technology” and is aimed at multicultural communities was pitched at an NYU Cinema Research Institute event last month, hosted at AOL Build. In the video above, learn how Great intends this smartphone app to connect audiences with filmmakers in original ways and in order to support diverse content.
by Scott Macaulay on May 26, 2015There’s a lot of talk in the independent film community about building new audiences through internet technologies but far fewer actual attempts at doing so. One person who has thought deeply about today’s challenges and developed a tool in response is filmmaker Artel Great, whose Project Catalyst attempts to combat “the Hollywood-ification of our thinking” by connecting multicultural audiences to the music and films most relevant to their lives and communities. It is, he writes, “the first application software to distinctively showcase narrative short films, documentaries, and music videos all made by talented indie artists from Black, Latino/a, and Asian […]
by Scott Macaulay on Nov 16, 2014