In another life, John Davey could have been a doctor. He was studying to become one in 1966 when a mining disaster struck the Welsh village of Aberfan, some 20 miles from his campus. Davey heard the news and set off to volunteer with a group of fellow med students. They didn’t know it at the time, but the avalanche had hit an elementary school, burying more than 100 children alive. Their job, it turned out, was to retrieve the bodies. The experience rattled Davey, who was just 19 at the time. “I realized,” he recalls now, “I wasn’t really […]
by Soheil Rezayazdi on Dec 17, 2018Tis the season of the Top 10 list. In what I figured was an out-of-the-box alternative, I decided to compile not necessarily my favorite films of the year, but the scenes that have resonated with me most. Then, Nicholas Rombes had to go and prove that the “great minds” adage is alive and well. Perhaps fortuitously, our lists have nothing in common. Though Upstream Color would likely crack my phantom Top 10, there is no one individual moment from the film that begged my memory for recognition. The same can be said for Inside Llewyn Davis, Bastards, Viola, Like Someone […]
by Sarah Salovaara on Dec 19, 2013The great American documentary filmmaker Frederick Wiseman (Titicut Follies, La Danse) arrived at this year’s Venice Film Festival along with his latest work, At Berkeley. A monumental, 244-minute exploration of the famous California university, it emerges as a rigorous, deeply insightful institutional study, and a hymn to the power of open communication, particularly in the context of modern-day America. Following the film’s world premiere on September 2nd, Wiseman, looking spry at 83, took to the stage to address the audience. Filmmaker Magazine was on hand to capture the highlights. On motivation “I made the movie because I have been making […]
by Ashley Clark on Sep 4, 2013