In its first half, the Competition of the 72nd Venice Film Festival has been a let-down, failing to present a single truly great title. The Orizzonti and Out of Competition selections have generally proved a safer bet, and of course the excellent Venice Classics program, which so far included screenings of restored masterpieces by the likes of Fellini, Melville and Hou Hsiao-hsien, has been a reliable and most welcome morale boost whenever necessary. Following Birdman and Gravity in the last two years, the festival extended its string of star-studded, big-spectacle openers with Baltasar Kormákur’s Everest, a fictionalization of an infamous 1996 commercial […]
by Giovanni Marchini Camia on Sep 8, 2015In late 2012, I interviewed Icelandic director Baltasar Kormákur, whose excellent new film The Deep is upcoming this spring through Focus World. He is also currently in post on the Mark Wahlberg/Denzel Washington thriller 2 Guns, but was already talking about his next project, Everest. He described the (then-unnamed) lead who he was in talks with as “an actor who is known for… put[ting] himself through hell.” That strongly implied that the star in question was Christian Bale, and now it’s been reported that Bale is indeed attached to the project, with Universal and Working Title producing. Here’s what Kormákur told me about Everest when we spoke: […]
by Nick Dawson on Feb 19, 2013Since making his transition from actor to writer/director in 2000 with the raucous comedy 101 Reykjavik, Baltasar Kormákur has rapidly established himself as one of the most gifted and versatile European filmmakers. The Icelandic multi-hyphenate has moved with seeming ease from grand family dramas (The Sea) to gritty police procedurals (Jar City) and poignant comedies (White Night Wedding), while also turning out English-language indie thrillers such as 2005’s A Little Trip to Heaven (starring Forest Whitaker, Julia Stiles and Jeremy Renner) and the 2010’s Inhale, with Diane Kruger, Dermot Mulroney and Sam Shepard. Though Kormákur had arguably the biggest film of his career this year with Contraband – the Mark […]
by Nick Dawson on Dec 18, 2012