In a career-spanning interview with Polly Platt for the DGA oral history series, director Henry Hathaway dismissed his 1956 thriller 23 Paces to Baker Street as a throwaway, one of those studio assignments he took without much relish. It’s yet another example of why filmmakers cannot be trusted when it comes to their own films, for while the material is slightly shopworn (and owes an enormous and obvious debt to Hitchcock’s Rear Window), Hathaway frames it with meticulous care and artistry. The movie follows Van Johnson as a blind playwright who thinks he overhears a crime being plotted; after the […]
by Jim Hemphill on Feb 24, 2017Tis the season of the Top 10 list. In what I figured was an out-of-the-box alternative, I decided to compile not necessarily my favorite films of the year, but the scenes that have resonated with me most. Then, Nicholas Rombes had to go and prove that the “great minds” adage is alive and well. Perhaps fortuitously, our lists have nothing in common. Though Upstream Color would likely crack my phantom Top 10, there is no one individual moment from the film that begged my memory for recognition. The same can be said for Inside Llewyn Davis, Bastards, Viola, Like Someone […]
by Sarah Salovaara on Dec 19, 2013It began with a glance. When Céline hurried down the aisle of the Vienna-bound train, did she notice Jesse first — or he her? It’s been so long since the two met — 18 years! — and so much has happened since then (divorce, commitment, children). It’s easy to forget that Jesse and Céline were once proverbial strangers on a train. But the couple still sees each other, sees through each other as only romantic partners can, and their romance has spanned millennial change. What was once a Gen X, pre-Internet love affair has aged into a full-blown, middle-age relationship — […]
by James Ponsoldt on Apr 23, 2013