Black Panther
-
Costume Designer Ruth E. Carter on Her Career and New Book
Ruth E. Carter is one of the best-known and most highly acclaimed costume designers working today. Since the very beginning of her 30-plus-year career, she’s had a creative partnership with Spike Lee, designing everything from the iconic streetwear of Do the Right Thing to the period looks of Malcolm X, Crooklyn and Summer of Sam. Carter’s resume also includes collaborations with directors like Steven Spielberg (Amistad) and Ava DuVernay (Selma). This year, she made history as the first Black woman to win two Oscars, when she took home the Best Costume Design statue for her beautifully bold work in Black […]
by Abbey Bender on Aug 10, 2023 -
“There is a Misconception that Cutting Action is not an Intellectual Endeavor”: Debbie Berman on Editing Black Panther
Of the 250 top-grossing films in 2017, women comprised only 16% of all editors. That makes Debbie Berman, co-editor of Black Panther, a glowing exception. And not only has Berman had a successful career spanning work in her homeland of South Africa, Canada and now LA, she’s made a name for herself in the Marvel sphere. Last year, she co-edited Spider-Man: Homecoming, this year, the ground-breaking Black Panther alongside Michael Shawver (Fruitvale Station) and has the Brie Larson-led Captain Marvel out this year. Filmmaker had a chance to ask Berman some questions about her impressive career and her knack for […]
by Meredith Alloway on Jan 15, 2019 -
Production Designer Hannah Beachler on Building Black Panther
Hidden in the midst of a dense African forest, Wakanda’s opulent capital of Golden City is the centerpiece of production designer Hannah Beachler’s world building in Marvel’s Black Panther. However, Beachler’s work on the film extends well beyond that vibrant Afrofuturist utopia, stretching from an Oakland apartment complex to a tony London art museum to a lavish subterranean South Korean casino. Before landing the job — which reunited her with Fruitvale Station and Creed director Ryan Coogler — Beachler wasn’t particularly familiar with the titular Marvel superhero or his isolationist homeland of Wakanda. Luckily, she knew someone who was. “I’d […]
by Matt Mulcahey on Dec 17, 2018 -
Filmmaker‘s Look at the Below-the-Line Stars of Some of the Awards Season’s Best Films
Movies aren’t just willed into existence, however much Alfred Hitchcock might have wanted them to be. We love to talk about visionary directors, but we often fail to properly acknowledge the artists, craftspeople and technicians who make their works possible. Luckily, many of these individuals — the below-the-line talent, as they’re sometimes called — receive some recognition during awards season, particularly from the guilds and, ultimately, the Oscars. And those who look at the late-year awards rush only through the lens of who’s going to win the big prizes — picture, director, performance, etc. — risk missing out on some […]
by Bilge Ebiri on Dec 17, 2018 -
DP Rachel Morrison on Black Panther, Scaling Up for Marvel and 10-Hour Days
I’ve never interviewed a cinematographer who thought they had enough time or enough money — not once, no matter how big or how small the movie. With Black Panther, Rachel Morrison moved from the indie world to the gilded soundstages of the “Marvel Cinematic Universe,” a land of $150 million budgets and 100-day shooting schedules. So did the recent Oscar nominee feel like she had everything she needed? “No, not even close,” laughs Morrison, who earned the Marvel gig after her work on Fruitvale Station, Dope and Mudbound. “I had the naive expectation that once you get to that level […]
by Matt Mulcahey on Mar 12, 2018 -
In the Light of History: Rachel Morrison on Shooting Mudbound
With Rachel Morrison the first woman cinematographer nominated for a Best Cinematography Academy Award, we’re running today online from our current print issue David Leitner’s interview with her about shooting her nominated film, Dee Rees’s Mudbound. When Dee Rees’s Mudbound premiered at the 2017 Sundance Film Festival, the director was returning to the fest six years after her feature debut, Pariah, launched there. The same year also marked DP Rachel Morrison’s first feature to be included in the festival, Zal Batmanglij’s Sound of My Voice, and she returned the following year with Ryan Coogler’s Fruitvale Station; Mudbound is her eighth […]
by David Leitner on Jan 23, 2018
