Few characters born in this current ‘Golden Age of Television’ rise to the legendary status of Gustavo Fring. Giancarlo Esposito brought the drug kingpin to life on Breaking Bad and now he’s finishing out (or filling in) his arc on the prequel Better Call Saul. On this episode, Esposito talks about the careful way he “whispers” a new character into existence, and why the identification and breaking down of his own resistances is so important. He tells the story of the eureka moment he had reading the words “hiding in plain sight” and how that opened up the character for […]
by Peter Rinaldi on May 24, 2022What do you do when you’re a week away from finishing a documentary project about the world’s biggest and most renowned TV series and the world decides to end? It all began very normally about a year ago. AMC approached the company I work for, IKA Collective, with the concept of creating a docu-series focusing on real-world stories that mirror the fictional worlds of Breaking Bad and Better Call Saul. The show’s creators, Vince Gilligan and Peter Gould were enthusiastic about the idea, and before long I was on my way to Green Bank, West Virginia to document electromagnetic sensitivity; […]
by Ronni Thomas on Nov 11, 2020In the summer issue of this magazine, I wrote about how television is written and some of the ways that a screenwriter might break into writing for television — starting as an assistant in the writers’ room, fellowship programs, being hired directly to staff and selling a pitch or a pilot. As I noted in conclusion, whichever route you take, it all starts with a great pilot — that’s the sample that your agents will use to put you up for staffing, that’s the usual application piece for fellowships, and that’s even what assistants submit for consideration. So what exactly […]
by Marc Maurino on Oct 20, 2016The following interview of Breaking Bad creator Vince Gilligan is an excerpt from Chapter 5 of The TV Showrunner’s Roadmap: 21 Navigational Tips for Screenwriters to Create and Sustain a Hit TV Series by Neil Landau. It is exclusively excerpted here thanks to Focal Press. Neil Landau: The toughest thing for most screenwriters is creating original characters. People come up with ideas for what might be an interesting show, but creating complex characters is extremely difficult to do. What’s your process when you’re starting with the pilot? Walt [Bryan Cranston] is all about the choices that he makes in life. How do […]
by Neil Landau on Mar 5, 20142013 has been a tough year to sum up for television. If it could be characterized by one trend, it would likely be the sheer glut of content being produced. With more cable channels investing in their own programming, as well as the long-promised rise of online networks such as Netflix and Amazon, it often feels like you can’t go a week without hearing about a new buzzed about, “best series on television.” Add to that the increased presence of international series on American screens (thanks to the likes of Hulu, DirecTV, BBC America, and the Sundance Channel, among others), […]
by Jane Schoenbrun on Dec 23, 2013With each passing year, it seems more and more archaic to refer to television’s current landscape as a ‘Golden Age.’ How long exactly can a ‘Golden Age’ last before we start to consider it a permanent phenomenon? For a decade and a half now, we’ve seen a steady stream of pioneering shows that have changed the mainstream standard for quality television. Yes, many of these shows exist on the fringes of TV – are supremely low-rated or in constant threat of cancellation. And yes, the medium is still undoubtedly in a state of flux, as everyone scrambles to figure out […]
by Jane Schoenbrun on Jan 4, 2013Kate Hannah (Mary Elizabeth Winstead) is a devoted elementary school teacher who, early in James Ponsoldt’s new film Smashed, shows up for work with a wicked hangover and vomits in front of her students. Forced to explain her behavior, she tells her class and colleagues that she’s pregnant. The lie leaves her feeling awful, and it’s soon clear to Kate that she needs to back away from the bottle. After all, this isn’t a one-off incident. She and her husband Charlie (Aaron Paul) are almost constantly drunk, and it’s pretty clear to her that they live for booze as much […]
by Kevin Canfield on Oct 10, 2012Here we are again, with part three in a series highlighting some of 2011’s most daring, innovative television. This week, I’ll be singing the praises of AMC’s consistently shocking and always riveting Breaking Bad. Indeed, there is no show on TV more unrelenting in its exploration of human misery than Breaking Bad. Created by former X-Files writer Vince Gilligan, the show stars Bryan Cranston as Walter White, a high school chemistry teacher who, after being diagnosed with cancer, begins cooking and distributing meth with the help of a burnout ex-student (Aaron Paul). If that premise sounds a bit too high-concept […]
by Jane Schoenbrun on Dec 22, 2011