Brent Hoff
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Home Screen: The Made in NY Media Center by IFP
Editor’s Note: The subject of this article, the Made in NY Media Center by IFP, is developed and operated by IFP, also the publisher of Filmmaker. Cantankerousness is a disease that can affect even the smartest among us — back in the day, Socrates protested his ideas shouldn’t be written down, fearing that there was no way the written word could capture the meaning and emotion of the human voice. But instead of honoring the wise old man’s wishes, his young pupil Plato recorded his inspiration’s objections, using the very medium that Socrates was so set on strangling at its […]
by Mary Anderson Casavant on Jul 18, 2013 -
WATCH (AND VOTE FOR) FOUR “25 NEW FACES” SHORTS ONLINE
In case you’re behind in catching up with the work of this year’s “25 New Faces of Independent Film,” you should head to The ShortList, The Wrap’s online shorts competition. Three of the 12 shorts taking part in the competition are from 2012 “25 New Faces” alums, namely Jonas Carpignano‘s A Chjana, Ornana‘s (notes on) biology, and Cutter Hodierne‘s Fishing Without Nets. Also contention is Love Competition, directed by 2011 “25 New Face” Brent Hoff. You can visit the site to watch the films, and vote for your favorite(s). (The jury prize is $60,000 worth of camera equipment.) As a […]
by Nick Dawson on Aug 24, 2012 -
BRENT HOFF EXPLORES THE SCIENCE OF LOVE
Screenwriter and director Brent Hoff, who we selected for this year’s 25 New Faces list, has a short out today that’s perfectly timed for Valentines Day. Called The Love Competition, it’s included as part of the next issue of Wholphin, will play at SXSW, but is now online courtesy of Wired and Wholphin. The Love Competition looks at the neurochemistry of romance, pitting a group of contestants against each other as their brains are scanned while they are thinking of their lovers, their ex-lovers, or perhaps just the concept of love itself. Hoff, who won a Tribeca Sloan Prize for […]
by Scott Macaulay on Feb 14, 2012 -
Brent Hoff
Before completing Dirty White Boy, his screenplay about the last days of rapper Ol’ Dirty Bastard and his relationship with VH1 p.a.-turned-manager Jarred Weisfeld, Brent Hoff had 24 partially written scripts on his hard drive. “One of them was over 200 pages long,” he says. “I came up with lots of ideas, but I never completed them.” But when Hoff heard that producer Todd Hagopian had bought Weisfeld’s life rights along with those of ODB’s mother, he knew that he was the guy to write — and finish — that story. “I worked at VH1,” says Hoff, “and I met […]
by Scott Macaulay on Jul 17, 2011
