While theaters all across America have been raiding the vault to bring us horror favorites throughout the month of October, there’s just nothing like catching something gory, bloody, spooky or flat out disgusting on Halloween night, sweating in your topical costume and getting sugar-high on candy corn. Here are my All Hallow’s Eve picks from a few special theaters around the country, and if you don’t happen to reside in one of the cities below, there is always Netflix and Amazon streaming, several options on demand, and a typically killer lineup on Turner Classic Movies, including Lady Vengeance favorite Village […]
by Farihah Zaman on Oct 31, 2011The ending of Brian De Palma’s Blow Out hits you in the chest like a hammer. It’s not supposed to be this way; American studio movies don’t end like that. But of course it’s the heartbreaking denouement that has partially helped to make the film endure in the 30 intervening years since its commercially disastrous release, though one can certainly fathom how it alienated audiences at the time (for the record, some critics were passionate defenders; it’s just that most viewers don’t savor being implicated in the spectacle of violence as it is quickly transformed into tragedy). As De Palma […]
by Travis Crawford on Apr 26, 2011This week on the blog I wrote a post asking what independent films made young audiences fans of independent film. Below are responses from writer, actor, director and musician Evan Louison. Buffalo ’66. I was 15. Particularly for the quiet, for the musical numbers, and for the paleness and stillness of the winter depicted. Particularly for the dinner table scene. I felt like I understood, or better like someone else did. I was in private school, and wrote a paper on it that got me called in after class. I don’t know what happened. They had a thing with strange […]
by Scott Macaulay on Jul 9, 2010