Frances (Aud Mason-Hyde), a non-binary teenager, falls in love with Amsterdam on a visit to her beloved grandpa (John Lithgow), who she affectionately calls Jimpa, in Sophie Hyde’s film of the same name. Deciding that she wants to stay with Jimpa for an entire year, her mother (Olivia Colman) wrestles with her parenting instincts and the idea of what’s best for her child. Editor Bryan Mason discusses cutting Jimpa, shedding insight on his recurrent collaboration with Hyde, the question he always asks himself before embarking on a project and his background as a skate video editor. See all responses to our […]
by Filmmaker Staff on Jan 23, 2025Sophie Hyde’s Good Luck to You, Leo Grande takes place largely in a hotel room, where a retired schoolteacher determined to finally have good sex meets with a sex worker several times over the course of six weeks. Cinematographer Bryan Mason discusses how he varied the film’s style as the two get to know each other and the difficulties associated with shooting a film about sex that takes place largely during the daytime. Filmmaker: How and why did you wind up being the cinematographer of your film? What were the factors and attributes that led to your being hired for this job? […]
by Filmmaker Staff on Jan 22, 2022Australian editor and cinematographer Bryan Mason has collaborated with director Sophie Hyde before; their first was 52 Tuesdays, a mother-daughter drama in which the latter is transitioning genders. Adapted by Emma Jane Unsworth from her novel, Animals examines another kind of relationship at a moment of change, tracking two Dublin friends in their early 30s whose years of boozing and companionship are starting to be too much to handle. Also serving as the project’s DP, via email Mason discussed the challenges of editing a project with input coming from Australia, the UK and Ireland, getting lost in early edits, and reshaping the […]
by Filmmaker Staff on Jan 29, 2019