On a shady street in New Orleans’ Lower Garden District you’ll find Second Line Stages’ annex building, where Apex Post Production is located. Depending on the day you arrive, you might witness an ADR session for Antoine Fuqua’s The Magnificent Seven or Ava DuVernay’s new TV show Queen Sugar. The man running the ADR session is Jon Vogl, a Los Angeles transplant and studio veteran who moved to New Orleans to take advantage of increased film and TV production in the state. In this sit-down we discuss the technological changes that he’s witnessed in his twenty-plus years working in post-sound […]
by Sergio Andrés Lobo-Navia on Jan 9, 2017Earlier this year I produced a very low budget short film, Affections, directed by Bridey Elliott and premiering at the 2016 Sundance Film Festival. Armed with a Master’s Degree and several experiences assisting producers in the past, I assumed I knew everything I needed to in order to create an accurate budget. As with all firsts, this was an incredible learning experience that highlighted several integral lessons to keep in mind while creating any kind of film budget. Look to the script Although labor intensive, it’s worth spending the time to do a comprehensive script breakdown (a big spreadsheet outlining […]
by Sarah Winshall on Jan 22, 2016It seems that this column is really starting to draw out a conversation from us micro-budget folks, and beyond; I couldn’t be happier. There seems to be a lot of dialogue happening in the comments, and I’m getting constant feedback from filmmakers from all over the world who are trying to make a new DIY model work. Every once and a while I get requests from some folks who want to contribute to the column itself. Many times these requests come from publicists, or folks just looking to sell themselves, but every once and a while a real dialogue is […]
by John Yost on Apr 19, 2011