I’ve got zip (that I want) to say (at this time) about Twin Peaks parts seven and eight in terms of The Bigger Picture, but I do want to delve into episode eight’s widely-presumed anomalous status — that it marked an unprecedented event not just in TV (true, I’m pretty sure) but in larger visual culture. I’ve been pleasantly surprised by how many recappers, while clearly over their heads, are baseline sympathetic to finding themselves routinely unmoored, even if that means repeating over and over that this is closer to “avant-garde art” than  normal TV to meet the word count. My feed […]