About halfway through my viewing at the Treefort Film Festival – predominately spent lounging on burlap sacks and church pews, repurposed for the inside of a tent – an anomalous, entirely welcome, framework began to take shape. At most regional festivals, the program tends to be a rather mixed bag, with titles culled from disparate, big name destinations, void of the necessary context for a non-industry crowd. But at the Boise-based, 2nd annual Treefort, the relatively compact, thoughtful selection of shorts and features appeared to be in constant dialogue with one another. Take, for instance, the standing-room-only double feature of Scott Cummings’ Buffalo […]
by Sarah Salovaara on Apr 3, 2015I’ve given up explaining that Buffalo Juggalos isn’t a documentary. I come from a narrative background but I should make clear that Buffalo Juggalos is not really a narrative film either. Three years ago I decided Buffalo Juggalos would be a 30-minute film, shot on video, composed of thirty shots, each one minute long. The film would be a series of scenes featuring real Juggalos. There would be no interviews or music; if there was dialogue, it would have absolutely nothing to do with being a Juggalo. Even though there are narrative elements throughout, they have been subjugated by the […]
by Scott Cummings on May 27, 2014