It’s tempting to refer to Dain Said’s Bunohan as the Malaysian director’s debut film, but Said rides to Toronto on the tailwinds of notoriety stemming from the banning of his proper debut, Dukun. That film dealt with black magic and murder — the latter word being one meaning of his latest film’s title. (“Bunohan” also refers to a local village.) A violent tale involving three estranged brothers, the film is set within the worlds of kickboxing, murder-for-hire, and real estate, and it weaves brutal realism with elements of mythological fantasy. We talked to Said about Malaysian cinema, fight scenes and […]
by Scott Macaulay on Sep 10, 2011