There’s a simple definition of producing that mostly has to do with developing and financing a production, overseeing the shoot, protecting a vision. But scratch a little deeper, and producers will open up with more personal responses. Producing is about love, for example — loving the movie, above all, and continuing to love it over the years and decades of its existence. Producing is about support — being everyone’s advocate, from the director to the actor to the crew. Producing is about protecting a vision, yes, but also assuaging the fears of partners who worry that that vision is too […]
by Taylor Hess on Dec 17, 2018Digital cameras have made it possible for more first-time documentary directors than ever to realize their visions, but there aren’t yet enough experienced producers ready to help those directors translate their talents into viable careers. “If you’re a director with an ambitious vision, you’re going to need help,” producer Amanda Branson Gill says. “In the narrative world, there are huge, built-in teams of people to support you. In documentary, we have this idea of the lone wolf. But you’re going to need a good partner, someone with whom you share the burden and who makes it possible.” A creative producer […]
by Chris Boeckmann on Jul 23, 2015In addition to being adorable, overachieving independent filmmakers, we (Caitlin and Penny) are both single gals in various deserts of actual human interaction (Brooklyn and Central NY, respectively.) Thus, we rely on our phones and thumbs, through a mostly-unknown dating application called Tinder, to find “love” (or whatever). Here’s a first-date conversation we both get to have all the time: Tinder Guy: “You’re an INDEPENDENT FILMMAKER??! That is so cool! Is that just like, a nonstop adventure of inspiration and creativity?” Uh, yeah; that’s exactly what it’s like. This post is dedicated to you, Tinder Guy. 1) Most of the […]
by Penny Lane and Caitlin Mae Burke on Oct 7, 2014