Chantal Akerman
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THIS IS WHAT THE (OBSCURE) MOVIES DID TO ME IN 2011
They moved me. Often deeply, in ways I failed to articulate to myself until much later. That is, of course, the whole reason I go to the movies, to have some sort of visceral, emotional (or intellectual) response, be it laughter or sadness or pain or empathy or disgust or profound understanding. Why else do it? Nothing, beside having those emotions, meets the criteria of entertainment, at least for me. See, I’m one of those lucky few that gets to travel the world just to see films. Crazy, I know, especially in this era of not so cheap oil, but it’s […]
by Brandon Harris on Jan 5, 2012 -
IN ROTTERDAM, AMERICAN FILMS THAT COULDN’T EXIST ANYWHERE ELSE
After the rush of sales in Park City this year, it seems the entire American cine-punditry is racing to declare this the beginning of a new golden age in American Independent Film. I sure hope they’re right. One wonders if March’s SXSW Film Festival in Austin will continue the trend and finally push that festival into true market status. Nearly 40 films were acquired in Park City and many more that premiered there will surely be acquired in the weeks and months to come. Yet for some of the most daring new American films, the sales rat race at Sundance […]
by Brandon Harris on Feb 4, 2011 -
IT’S NICE TO BE APPRECIATED
Dennis Lim has a great half-page profile of writer/director Andrew Bujalski in the Sunday New York Times. Bujalski, who Matt Ross selected as one of our “25 New Faces” three years ago, has built up a big fan and critical base with his two features, Funny Ha Ha and Mutual Appreciation. Lim uncovers some good stuff — I didn’t know, for example, that Chantal Akerman was Bujalski’s filmmaking thesis advisor at Harvard and that she instructed him to run down the hall one day after a possible performer. Lim ends the piece by discussing what the future could hold for […]
by Scott Macaulay on Jan 8, 2006 -
AKERMAN REDUX
Our friends over at the essential GreenCine Daily linked to this 1995 interview between media programmer Chris Dercon and filmmaker and artist Chantal Akerman, and that gives me a chance to link back to this blog I wrote a few weeks ago about Akerman’s current gallery installation at the Marian Goodman gallery. At the time I posted it, there were no press images available of the exhibition, but now there’s one, posted here, which captures the double-screen setup onto which Akerman’s quite powerful family history is projected. And here’s Akerman from the interview: “Anyway, I don’t really believe in the […]
by Scott Macaulay on Aug 18, 2005 -
TO WALK NEXT TO ONE’S SHOELACES IN AN EMPTY FRIDGE
I just returned from the opening of filmmaker Chantal Akerman’s new installation, To Walk Next to One’s Shoelaces in an Empty Fridge, at the Marian Goodman Gallery on 57th St. in New York. It’s a really beautiful work, and anyone interested in the Belgian filmmaker or autobiographical media art in general should make an effort to check it out. The installation takes place in two rooms. In the first, text fragments from an autobiographical writing Akerman published last year are projected on a scrim which scrolls inward within the space like a gossamer Richard Serra sculpture. In the second, a […]
by Scott Macaulay on Jul 8, 2005 -
THE EUROPEAN GRADUATE SCHOOL
Holly Willis, Karol Martesko and I founded Filmmaker back in the fall of 1992 and for many years after that Holly served as our West Coast Editor before moving on to her current position as editor of the quite excellent Res magazine. We were trading e-mails recently, and Holly asked if we’d link this site to the European Graduate School, where she is working on her second Ph.D. When she wrote to me that the program was “ridiculously perfect — it brings together amazing philosophers with filmmakers for intensive three-week seminars in a tiny town in the mountains of Switzerland […]
by Scott Macaulay on Mar 7, 2004
