Charlie Kaufman
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Toronto, Camden and Venice
TORONTO by Scott Macaulay High Rise has long been considered one of the J.G. Ballard’s most “adaptable” books, with the author’s dispassionate meditations on disassociation, inner and outer space, and the psychologies and paraphilias unleashed by 20th-century life encased within the sturdy confines of a modern apartment building and a class-based tale of survival. Nonetheless, High Rise has taken decades to reach the screen, despite the attachments of numerous directors, including Vincenzo Natali, Bruce Robinson and, revealed producer Jeremy Thomas at a talk at this year’s Toronto International Film Festival, interest from Nicolas Roeg. Premiering at the festival in Platform, […]
by Filmmaker Staff on Oct 28, 2015 -
TIFF 2015 Critic’s Notebook #2: High-Rise, The Lobster and Anomalisa
Toronto seemed the perfect place for Ben Wheatley’s High-Rise to have its world premiere. The J. G. Ballard adaptation stages a class-war in an ultra-modern high-rise, and the theater where it played Sunday night is only about a mile from the luxury condo developments that tower over Toronto’s waterfront, which suggest a modern Eden in shiny glass and steel but have instead exacerbated the city’s homelessness problems and real-estate bubble. Another felicitous detail to the evening: the screening was sponsored by Visa and before you could take your seat to see Wheatley’s commentary on class and capitalism, there was a […]
by Whitney Mallett on Sep 16, 2015 -
John Malkovich: a Figure in Someone Else’s Dream
Last weekend, John Malkovich came to Toronto to play Casanova onstage in The Giacomo Variations. The lanky 59-year-old made local headlines when he aided a fellow guest at his hotel who gashed his neck on some sharp scaffolding. Malkovich wondered if the next time the fellow saw him on screen, “He may think, ‘This guy had his hands around my neck.’” Malkovich was speaking to a capacity audience at the TIFF Bell Lightbox. He appeared between performances to kick off TIFF’s summer program that was sharing space with the Century of Chinese Cinema program featuring the likes of Chris Doyle and […]
by Allan Tong on Jun 12, 2013 -
Leos Carax And Michel Gondry, Tokyo !
DENIS LAVANT IN “MERDE,”DIRECTOR LEOS CARAX’SEGMENT OF TOKYO!. COURTESY LIBERATION ENTERTAINMENT. French directors Leos Carax and Michel Gondry – both born in the early 1960s, during the first blush of the Nouvelle Vague – so far have had markedly different career paths. Carax, a boy from the Parisian suburbs, became a film critic and short film director before announcing himself as a major talent with his first two features, Boy Meets Girl (1984) and Bad Blood (1986). Carax’s distinctive visual style, outsider sensibility and preoccupation with modern romance was also on show in his third film, Lovers on the Bridge […]
by Nick Dawson on Mar 6, 2009 -
IMAGINARY LANDSCAPES
There was interesting news in Variety today — Rick Linklater has been greenlit by Warner Independent Pictures and New York’s Thousand Words to film his adaptation of Philip K. Dick’s great A Scanner Darkly, which will star Keanu Reeves in his first post-Matrix trilogy project. An earlier script was penned by Charlie Kaufman, and the good folks at Muse Productions had the option once — and still list a Chris Cunningham-directed version on their website. Now, however, Steven Soderbergh and George Clooney’s Section 8 are producing the current project with Thousand Words. Most interesting is the note that the movie […]
by Scott Macaulay on Mar 30, 2004
