Charlotte Glynn
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Kickstarter Watch: Charlotte Glynn’s The Gymnast
Pittsburg-based director Charlotte Glynn, who made Filmmaker‘s 25 New Faces in 2014, is now running a Kickstarter campaign to raise funds for her debut narrative feature, The Gymnast. The film, which was actually discussed at the end of Brandon Harris’s profile, is set in a former mill town and is about “a 14-year-old aspiring Olympic gymnast and her die-hard ‘gym dad’ [who] must reinvent themselves after a potentially career-ending injury.” Elaborates Glynn on the Kickstarter page: The Gymnast is a film about loss and perseverance in the face of extreme odds, and the making of the film has mirrored that […]
by Scott Macaulay on Jul 7, 2023 -
Come See 25 New Faces Screen and Talk at the IFC Center on Monday Night
Filmmaker‘s annual 25 New Face screening night at the IFC Center takes place next Monday, September 22 at 8:00 PM in New York City. We’ve got an especially strong line-up this year, including never-before-seen short films, and four filmmakers will join me after for a panel discussion on the art, economics and distribution of short film filmmaking. Here’s the program: Charlotte Glynn’s Immaculate Reception. “Rarely have the complexities and disappointments of young masculine sexuality been so deftly portrayed,” wrote Brandon Harris in his 25 New Face write-up of Glynn and her Rust Belt-set, coming-of-age tale that turns on Franco Harris’s […]
by Scott Macaulay on Sep 19, 2014 -
Park City Critic’s Notes #5: Short Shrift
There were movies. Some, like New York Times film critic (and my fellow SUNY Purchase Film alum) Manohla Dargis, said there were too many — even before she saw any of them. Sales, at least during the festival, weren’t robust; perhaps some of the weary execs, including a couple she overheard dishing on their inability to sit through American Hustle while in line for a theater, are taking her advice and sitting on their pocketbooks. Perhaps we’ll find some of these movies on VUDU or Seed&Spark or NoBudge. Maybe someone will tap an unexpected and unforeseen audience outside of the […]
by Brandon Harris on Jan 26, 2014
