Signs are everywhere. ARRI’s ALEXA swept TV series production in the U.S. Canon harnessed Hollywood pomp to launch its C300. RED placed an eight-page glossy fold-out to tout EPIC in April’s Vogue (“The camera that changed cinema is now changing fashion”). Sony shipped no less than 100 F65s, the first Super 35 camera with an 8K sensor. A year ago, in “Does Size Matter?” I surveyed the still budding field of large-sensor cameras for Filmmaker and described the industry’s growing embrace of the 120-year-old Super 35 format. Not only were existing cine and SLR lenses given a new lease on […]
by David Leitner on Apr 11, 2012by David Leitner on Nov 12, 2011
At Independent Film Week this past September, Ed Lachman taught a Masterclass sponsored by Kodak. An acclaimed cinematographer known for creating lush and arresting images in films such as I’m Not There, Erin Brockovich, and The Virgin Suicides, Lachman was nominated for an Academy Award and received an Independent Spirit Award for his work on Far From Heaven. While the full panel is pay-walled and available only to IFP members, you can watch these three free excerpts right now: Here, Lachman discusses the difference between working with first-time directors and more experienced directors. Here, Lachman theorize about the difficulty of […]
by Jane Schoenbrun on Nov 2, 2011Get ready for the next round of DSLRs — Canon has just announced their EOS-1D X. From Engadget: Stick a piece of gaffer tape over the unmistakable X, and Canon’s latest EOS-1D pro-level camera will look virtually identical to every 1D model that came before it. But once you flip up the power slider, this new king of the jungle will hum like no other. Canon’s phenomenally powerful EOS-1D X really sounds like the DSLR to rule them all. Its 18 megapixel full-frame sensor uses oversized pixels to battle noise and is supported by a pair of Digic 5+ imaging […]
by Scott Macaulay on Oct 18, 2011