Cinematography

SHOOTING LOVELY, STILL

Nik Fackler’s Lovely, Still has garnered a bit of buzz up in Toronto. One of the most impressive elements of the film is its fantastic cinematography and production design. Fackler and his team create a gorgeous Christmas-world that dances just this side of a fairy tale. In this Filmmaker piece, the film’s d.p., Sean Kirby, discusses his approach to shooting the movie.
by Scott Macaulay on Sep 10, 2008
SEEING RED

Directors Bradley Rust Grey and So Yong Kim just directed a short film for the Museum of Chinese in America Chinatown Film Project. Grey also acted as d.p. and shot the film on the new Red camera — the same camera Steven Soderbergh used to shoot his recent CHE. Grey plans to use the Red to shoot his next feature, which should begin this fall, and was kind enough to send us this entry for the blog in which he quickly summarizes his impressions of the experience. I haven’t written a blog before. So I’m just sort of thinking of […]
by Scott Macaulay on Aug 7, 2008
OUTFITTING THE RED CAMERA

Roberto Quezada-Dardon’s article on the Red One camera is one of our most widely read articles on the website this month. If you want to read about the Red from a different angle, check out Steve Tammi’s piece, “Beta Sight: Red Digital Camera Red One,” in the current Millimeter, which is online at their Digital Content Producer site. Here’s his lede: I have been shooting with the Red Digital Cinema Red One Camera for almost six months now. Although I have been asked to write about my first impression of the camera, it is important to realize that shooting with […]
by Scott Macaulay on May 9, 2008

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