Expanded from his 2013 short of the same name, Clay Liford’s Slash is a comedy of youthful sexual awakening set against the backdrop of slash fan-fiction, the amateur writing pursuit that places beloved pop culture characters in previously-undreamed-of erotic situations. In his first feature since 2011’s Wuss, Liford gives himself an extra challenge by committing to filming the sci-fi universe of Vanguard, a fictional character made up for the film (to duck the cost of obtaining intellectual property costs to existing characters). We interviewed Liford prior to the film’s premiere; below, DP Ellie Ann Fenton discusses being equally inspired by the cinematography […]
by Scott Macaulay on Mar 15, 2016Love stories set in a specific subculture are a hallmark of independent cinema, and for most directors the challenge is to simply find a fresh subculture that hasn’t had its inner workings drained and exploited by sundry other jndie movies or cable series. And while I won’t swear that no one else has set a romance in the world of erotic fan fiction, I can’t think of one other than Austin-based Clay Lifford’s Slash, which premieres today at SXSW. Below, Lifford talks about the “slash” world, not shooting his own film and Google search terms you should definitely avoid. Filmmaker: […]
by Scott Macaulay on Mar 13, 2016The 2011 Dallas International Film Festival closes today, wrapping up an 11 day fest that accomplished what all regional fests should: screening favorites on the festival circuit while highlighting the talents of filmmakers in its community. Thanks to the tireless efforts of the Dallas Film Society (which took over the festival when the three-year licensing and consulting deal with AFI wasn’t renewed before the 2010 fest) — specifically chairman Michael Cain and artistic director James Faust — the 5th DIFF has integrated itself nicely into a Dallas arts community that already has a full calendar of events to choose from […]
by Jason Guerrasio on Apr 10, 2011