Films are made over many days, but some days are more memorable, and important, than others. Imagine yourself in ten years looking back on this production. What day from your film’s development, production or post do you think you’ll view as the most significant and why? Day one. I had never met Andrea before—they came out to the driveway and gave me a hug and said, “So you’re gonna be with me when I die,” and then they invited us inside. Usually Day one (and often Month one) of a documentary is just a warm-up in building trust and getting […]
by Filmmaker Staff on Jan 25, 2025Come See Me in the Good Light follows Andrea, a poet in Colorado, as they face a cancer diagnosis. The film is an intimate verité documentary and marks director Ryan White’s return to Sundance after Assassins and Ask Dr. Ruth. Brandon Somerhalder (A Concerto is a Conversation, Live to 100) served as the film’s DP. Below, he explains why a verité approach was right for the project and the difficulties of maintaining that at a live poetry reading without jeopardizing the comfort of his ailing subject. See all responses to our annual Sundance cinematographer interviews here. Filmmaker: How and why did you wind up being […]
by Filmmaker Staff on Jan 25, 2025In the latest documentary by Ryan White (Pamela, A Love Story; Ask Dr. Ruth), poets Andrea and Meg turn to their art to help them cope with Andrea’s cancer diagnosis. Come See Me in the Good Light will screen as part of the 2025 Sundance Film Festival’s Premieres section. Editor Berenice Chavez, who also edited Pamela, A Love Story returns to the cutting room for Come See Me in the Good Light. Below, she talks about finding her way into Andrea and Meg’s life despite not, at least initially, being a fan of poetry. See all responses to our annual Sundance editor interviews here. […]
by Filmmaker Staff on Jan 25, 2025