Conor Horgan

“ONE HUNDRED MORNINGS” AND GENRE

Here’s the last of our guest blog posts by the makers of One Hundred Mornings, currently running at Los Angeles’s Downtown Independent Theater. This one is by writer/director Conor Horgan on the genre possibilities of his movie. When I finished writing the script for One Hundred Mornings, I wasn’t overly concerned about which genre the film would be — I just wanted to get it made. But most filmmakers have to specify their project’s genre at an early stage — it makes everything nice and neat, and life is a little easier for all involved, except maybe for the writer/director […]
by Scott Macaulay on Sep 21, 2010
PRODUCING ONE HUNDRED MORNINGS, PART TWO

Below is the second blog post from Katie Holly, producer of One Hundred Mornings, winner of the Workbook Project’s Discovery and Distribution Award. It begins a one-week run today at L.A.’s Downtown Independent. As I mentioned in my last post One Hundred Mornings was made as part of the Catalyst scheme, which was established to give writers, directors and producers a chance to make their first feature. Essentially it was a competition, and three winning films were given a chance to make a movie, fully financed and with additional production support provided in the form of mentorship. The mentorship element […]
by Scott Macaulay on Sep 17, 2010
CONOR HORGAN ON POST-APOCALYPSE AND ONE HUNDRED MORNINGS

Here’s the first of two blog posts from writer/director Conor Horgan, whose One Hundred Mornings received the Workbook Project Discovery and Distribution Award and runs beginning this week at Los Angeles’s Downtown Theater. — S.M. There’s an old saying, that you should write what you know. I think you should also write about what scares you, and the world we’ve created in One Hundred Mornings scares the hell out of me. As we prepare for our week of screenings at the Downtown Theater, I’m reflecting on some of the real-life inspirations for the film, and what motivated me to make […]
by Scott Macaulay on Sep 16, 2010

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