In writer/director Alex Garland’s Ex Machina, a coder (Domhnall Gleeson) for a Google-esque tech giant is summoned to the remote compound of the company’s CEO (Oscar Isaac) in order to test his latest creation – an alluring humanoid robot named Ava (Alicia Vikander). Gleeson’s mission is to conduct a Turing test – a series of questions designed to determine if a form of artificial intelligence has achieved human consciousness. Ex Machina cinematographer Rob Hardy was faced with a similar mission – convincing audiences of Ava’s humanity despite her obvious mechanical parts. Hardy talked to Filmmaker about using everything from lens choices […]