Copyright
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Watch: Haskell Wexler and Others in Other People’s Footage: Copyright & Fair Use
Robert Johnson, Jr. and Diane Carson’s Other People’s Footage: Copyright & Fair Use is a documentary about exactly what its title says it’s about. Per the film’s website, the doc features “illustrative examples from nonfiction, fiction, and experimental films that use pre-existing footage, music and sound from other individuals’ creations,” while drawing upon a solid roster of lawyers, archival producers and other specialists in this often-muddy field. In this clip, the late Haskell Wexler discusses his strategy in using a Coors commercial in his documentary Who Needs Sleep?, followed by some interesting insights on the strategies used by 20 Feet from Stardom and Bowling for Columbine. […]
by Vadim Rizov on Apr 13, 2016 -
All Clear
“What surprised me more than anything when we got to Sundance,” says John Sloss about Randy Moore’s Escape from Tomorrow, “was this sort of tacit acceptance that this film will never see the light of day. Everyone kept saying, ‘See it here because Disney won’t allow this to be [commercially] released,’ as if Disney by itself has that power. That kind of compliant response awakened something in me.” Sloss, whose Cinetic Media was selling the film, may have been surprised at the industry’s dismall of its commercial prospects at Sundance, but I was not. A confession: After seeing the first […]
by Scott Macaulay on Oct 21, 2013 -
“The Past is Never Past,” but the Faulkner/Midnight in Paris Lawsuit Is.
One of the most vexing and unanticipated problems facing independent filmmakers involves realizing that brief, seemingly incidental references — a song lyric, the quoting of a movie character, or referencing a line from a novel — are actually copyrighted materials requiring clearance. Yes, there is what’s known as Fair Use — a doctrine allowing selective quotation of copyrighted works. But Fair Use is most often used in documentary and less so in fiction works. But a recent court ruling involving a William Faulkner line quoted in Woody Allen’s Midnight in Paris offers hope to filmmakers. This problem of quote clearance […]
by Scott Macaulay on Jul 24, 2013 -
ETERNAL COPYRIGHT: A MODEST PROPOSAL
At the Daily Telegraph, Adrian Hon, Founder of the online games company Six to Start, writes a modest proposal providing an answer to the controversies over copyright, remixing, piracy, filesharing, etc: eternal copyright. In 1710, the Statue of Anne decreed that the term of copyright last from 14 – 28 years. In the 300 years since, that term has only increased to 70 years from the death of the author. Swift implementation of an eternal copyright law would not only spur creative innovation but redress societal wrongs. From the piece: Imagine you’re a new parent at 30 years old and […]
by Scott Macaulay on Feb 20, 2012 -
MUST SEE: KIRBY FERGUSON’S CONCLUSION TO “EVERYTHING IS A REMIX”
Kirby Ferguson’s epic and informative web serial, Everything is a Remix, comes to an inspiring conclusion with part four, to my mind the best of the series. In “Part Four: System Failures,” he looks at the historical roots of copyright and patent protection and examines how today’s system has drifted so far away from the original goals of furthering the public good while still protecting creators. I can’t recommend Ferguson’s series more highly, and if you find yourself in an argument with someone about legislations like SOPA, PiPA and ACTA, point them towards these videos for a succinctly argued treatise […]
by Scott Macaulay on Feb 17, 2012
