Crip Camp
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Viewing Disability
“Do disability differently,” disability activist and media critic Lawrence Carter-Long begs in his irreverent survey of the state of disability on film for the recent manifesto issue of Film Quarterly. Defending genre curios such as the 1970s exploitation thriller Mr. No Legs, about a drug ring enforcer with shotguns built into his wheelchair, as more interesting than treacle like the Andrew Garfield–starring biopic Breathe, about British independent-living activist Robin Cavendish, Carter-Long points to a common complaint within disability circles about the narrow frames of reference through which disabled people tend to be seen. Disability movies, the thinking goes, too often […]
by Angelo Muredda on Oct 28, 2020 -
“We Needed a Killer Concept Trailer”: Jim LeBrecht and Nicole Newnham on Crip Camp, Battling the Health Care System and Working with the Obamas
The 1970s: an oil and energy crisis, numerous coup d’états (some failed, some successful), a massacre at the 1972 Summer Olympics, the rise (Margaret Thatcher, Augusto Pinochet) and falls (Richard Nixon) of world leaders, the beginning (Lebanon) and end (Vietnam) of drawn-out wars, and a New York-based serial killer who terrorized young adults because his neighbor’s dog ordered him to. Oh, to go back again! Stateside, the ’70s saw further proliferation of rock music, drugs, second-wave feminism, the Black Panther movement and general political unrest and upheaval. Titled after a since-closed Catskills camp for disabled youth that was itself something […]
by Erik Luers on Mar 27, 2020 -
“Wheelchairs, Crutches and Canes Take on New Shape and Meaning”: Nicole Newnham and Jim LeBrecht | Crip Camp
Whether capturing or creating a world, the objects onscreen tell as much of a story as the people within it. Whether sourced or accidental, insert shot or background detail, what prop or piece of set decoration do you find particularly integral to your film? What story does it tell? The props—or tools—of the everyday lives of people with disabilities are part of the fabric of Crip Camp, present in every scene of the band of campers-turned-friends that our film traces through the 1970’s. In Crip Camp, wheelchairs, crutches and canes take on new shape and meaning: campers aren’t “wheelchair bound” […]
by Filmmaker Staff on Jan 23, 2020
