Criterion Collection
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Secret Sunshine — A Hammer to Nail Review
(Secret Sunshine is available on DVD and Blu-ray through The Criterion Collection.) The history of Lee Chang-dong’s extraordinary Secret Sunshine is a textbook case of both the problems and the miracles at play in the current marketplace for international cinema here in the United States. The film, which premiered at the 2007 Cannes Film Festival (winning the Best Actress award for Jeon Do-yeon’s devastating performance), was featured in the U.S. that same autumn at The New York Film Festival. But despite critical accolades (the film won indieWIRE’s 2007 Best Undistributed Film poll in a landslide), Secret Sunshine remained in limbo […]
by Tom Hall on Aug 25, 2011 -
Criterion: The Killing
It’s extremely difficult to type the words “my favorite Kubrick film” because I honestly feel I could put that down while writing about any of them. But what I can say about Stanley Kubrick’s Hollywood calling card The Killing is it’s the one film of his that I’m most nostalgic about. Film noir. Jim Thompson’s words. Sterling Hayden’s “when men were men” bravado. The contract studio picture was on the way out and the New Hollywood of Bogdanovich, Ashby and Nichols were breaking down the doors. But before that (and likely escalating the emergence of New Hollywood) there was Kubrick. […]
by Jason Guerrasio on Aug 16, 2011 -
“BLOW OUT”
The ending of Brian De Palma’s Blow Out hits you in the chest like a hammer. It’s not supposed to be this way; American studio movies don’t end like that. But of course it’s the heartbreaking denouement that has partially helped to make the film endure in the 30 intervening years since its commercially disastrous release, though one can certainly fathom how it alienated audiences at the time (for the record, some critics were passionate defenders; it’s just that most viewers don’t savor being implicated in the spectacle of violence as it is quickly transformed into tragedy). As De Palma […]
by Travis Crawford on Apr 26, 2011 -
VIDEO ON DEMAND CALENDAR NOW ONLINE!
It’s an idea that has been swirling around the Filmmaker Magazine office for quite a while and today it became a reality with the launch of our Video On Demand calendar. Every month we will unveil a curated list of independent film titles that we feel are worth checking out through On Demand cable providers and streaming services. You’ll find some titles we’ve already covered online or in the magazine when they played theatrically, while others are festival favorites that are premiering on VOD. We also give our “VOD Pick of the Month” and note if a title is available […]
by Jason Guerrasio on Mar 9, 2011 -
More on Netflix, Criterion and Hulu
Today we, along with seemingly everyone else in the film blogosphere, announced Criterion’s exclusive deal with Hulu, which will see some 800 Criterion titles stream to viewers on the Hulu Plus service. And, like everyone else, we had to add a small update when we realized that Hulu’s gain is Netflix’s loss. The Criterion titles we Netflix subscribers are used to watching (just last week, for example, I saw Agnes Varda’s Cleo from Five to Seven) will soon be leaving the service. Over at Hulu, Criterion President Peter Becker launches a blog with this declaration of love for the label’s […]
by Scott Macaulay on Feb 15, 2011 -
Criterion Joins Hulu Plus
Beginning today The Criterion Collection has made available over 150 titles from its library on Hulu’s paid service, Hulu Plus. Known best as a destination for streaming the latest in popular TV series (as well as full runs of some TV shows), with the Criterion deal (only available in the U.S.) Hulu is trying to grab the attention of movie buffs, while keeping pace with it’s biggest competitor, Netflix. UPDATE: A spokesperson for Criterion confirms that Hulu will exclusively stream Criterion titles by year’s end. With today’s launch you can stream some of the Criterion essentials: The 400 Blows, The […]
by Jason Guerrasio on Feb 15, 2011 -
Criterion: America Lost and Found: The BBS Story
In a recent edition of his ongoing online column “Movie Answer Man,” Roger Ebert was faced with the following reader-submitted query: “Since good movies can now be cheaply made, why aren’t we seeing more of the kind of arthouse films that were so influential in the ’60s and ’70s?” Ebert’s response, while relatively curt, was two-fold. “1.) It is very expensive to release, promote, and advertise any movie,” he began. Fair enough — as any independent filmmaker knows, simply getting your movie made is just one small initial hurdle…and as any viewer who watches contemporary independent films can sadly attest, […]
by Travis Crawford on Dec 16, 2010 -
Criterion: Stagecoach
Legend has it when John Ford read the short story that would be the inspiration behind his first Western with sound, he immediately took it to his boss David O. Selznick, who, just as quickly as it was pitched to him, tossed it aside as a forgettable picture. Lucky for us, Ford didn’t move on. He dug into his own pocket, made the film himself (and later sold it to United Artists), packed up the production and went out to Utah’s picturesque Monument Valley (which would be the site for many of his Westerns to come) — far from the […]
by Jason Guerrasio on May 25, 2010 -
Criterion: The Milky Way
Pierre and Jean are two pilgrims who journey from Paris to Santiago de Campostella in Spain to visit the religious shrine of Saint James. What ostensibly begins as a religious road trip becomes a scathing critique of Catholicism as told through the surreal eyes of Luis Buñuel. The Milky Way is as strong today as it was when first released in 1969 and the newly released Criterion Collection DVD will divide film viewers into two camps: those who see it as hysterical satire or those who will view it as hateful anti-clericalism and indeed, the film is filled with images […]
by Rupert Chiarella on Aug 8, 2007 -
Criterion: Ace In The Hole
Watching Billy Wilder’s Ace In The Hole, which has been beautifully re-mastered by Criterion in a 2-disc package ($39.95) available this week, two things come to mind: 1) How forward thinking Wilder was and 2) how the movie ever got released. Kirk Douglas plays Chuck Tatum, a despicable newspaper reporter who stumbles upon a man trapped inside an old Indian burial cavern in Albuquerque, N.M. and creates a sideshow out of it. Though Tatum has a nose for scoops, his ego and determination to escape the desert and get back to the big city causes him to destroy everything in […]
by Jason Guerrasio on Jul 15, 2007
