“Fuck it, I’m going for it.” That, says cinematographer Yves Bélanger, was his response when presented with the challenge of shooting Dallas Buyers Club using only natural light. But aided by the ALEXA digital camera and his freewheeling director Jean-Marc Vallée, Bélanger handily shot the entire film without the heavy equipment usually associated with movies starring the likes of Matthew McConaughey and Jennifer Garner. No tripods, no lighting kits. His only artificial source of illumination: a small Kino Flo he used at the beginning of each day to shoot his color charts to make sure the color balance was correct. […]
by Anthony Kaufman on Apr 28, 2014Marco Müller, in his second year at the helm of the Rome International Film Festival, abandoned his insistence on all films being world premieres, but not the ability to program average films. The main reason for the change of tact seems to be to allow higher profile American films to be programmed in competition. The beneficiaries this year were Dallas Buyers Club and Her which were rewarded for their Italian voyage with awards for their actors: Matthew McConaughey has been winning plaudits everywhere for his turn as a drug-peddling carrier of HIV, while one suspects that the competition jury had […]
by Kaleem Aftab on Nov 19, 2013Canadian director Jean-Marc Vallée has had a curiously diverse career so far, going from the flamboyant coming-of-age dramedy C.R.A.Z.Y. to the historical romance of Young Victoria. The connective tissue between those two movies is that they are both period pieces, and so Vallee is presumably bringing a keen sense of the times to Dallas Buyers Club, a mid-198os AIDS drama starring Matthew McConaughey as a dying Texan electrician infected with the virus who helped others in a similarly grave situation gain access to medicines yet to be approved by the FDA. This is yet another film that firmly repositions McConaughey as […]
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