Though Guillermo del Toro’s 1997 American studio debut Mimic was a notoriously unpleasant experience, the silver lining of that giant cockroach creature feature was the filmmaker crossing paths with Danish cinematographer Dan Laustsen. It took 18 years for them to work together again, but they’ve made up for lost time since by teaming on Crimson Peak, The Shape of Water and Nightmare Alley—the latter two brining Laustsen Oscar nominations. Their latest collaboration fulfills del Toro’s lifelong ambition to mount a version of Mary Shelley’s Gothic horror masterpiece Frankenstein, with Oscar Isaac as the titular creator and Jacob Elordi as the […]
by Matt Mulcahey on Nov 21, 2025
There’s a line in Bob Dylan’s “Brownsville Girl” that goes, “(It’s) strange how people who suffer together have stronger connections than people who are most content.” Suffering together connected director Guillermo del Toro and cinematographer Dan Laustsen on the set of 1997’s Mimic. The Miramax-produced giant insect creature feature marked the first American effort for del Toro and just the second studio gig for the Danish Laustsen. The experience was not a pleasant one. As del Toro put it during an on-stage interview at the BFI London Film Festival last October: “Two horrible things happened in the late ’90s: my father […]
by Matt Mulcahey on Jan 4, 2018
“How can the same shit happen to the same guy twice?” moans John McClane in Die Hard 2. It’s the question at the heart of every high concept action movie sequel. Failing to adequately answer it is how McClane’s New York everyman cop ends up in Moscow, or why half of Bryan Mills’ family gets kidnapped in the Taken series. Following up John Wick poses a similar conundrum – how do you motivate a retired hitman whose bloody swath of revenge is initiated by the death of his wife and the murder of a cuddly puppy? Do you have his […]
by Matt Mulcahey on Feb 10, 2017