She’s just like a sexy girl. You know the type… goth, horror, self-cutting. She’s like J Lo/Nosferatu. Typical. The whole trend. She’s pinup-y but poseur, like wannabe, like big ass. She probably doesn’t really have a big ass but looks like it in the photos — That’s how the protagonist in Daniel Chew and Micaela Durand’s new film 38 drags the woman who slept with her husband. The film’s action takes place post-affair, centering around the scorned wife (played by Curie Choi) online stalking the “other woman” (played by Alicia Novella Vasquez), an obsessive screen-based fixation uncomfortably relatable to probably […]
by Whitney Mallett on Oct 6, 2021In April, as we began to put together the Summer, 2020 issue of Filmmaker, we asked directors, cinematographers, editors and other film workers to send us their thoughts on the quarantine and their own creative lives. The responses printed here were collected from April through mid-June — personal statements that speak variously to individual filmmaking practices, films halted mid-production, politics, art and life. Read all the responses here. — Editor Lately, it has been difficult to turn away from screens. Screens that show us the casual abuse of power. Screens that instill rage and dread. These screens are important in showing […]
by Filmmaker Staff on Jul 8, 2020“Our films navigate what it means to exist today – the frustrating intimacies and alienation, and how the internet is not only a self-affirming tool, but also connected to our jobs and livelihood,” write filmmakers Daniel Crew and Micaela Durand in introducing their short Negative Two at Le Cinema Club, where it streams online until this weekend. “Our economy demands for us to be constantly online and we wanted to portray that simultaneity.” Commissioned by The Shed and selected for last year’s International Film Festival Rotterdam, Negative Two, as described in the program notes, “focuses on Devin (Eric Lee), a […]
by Scott Macaulay on Mar 3, 2020