In director David Bruckner’s Hellraiser reboot, it’s clear that co-writers Ben Collins and Luke Piotrowski were committed to representing a more faithful version of Clive Barker’s original Hellraiser text, The Hellbound Heart, than continuing any storyline already explored within the long-spanning cinematic franchise. This is for good reason: While Barker’s 1987 Hellraiser (which he helmed due to frustrations with other filmmakers failing to capture his work’s essence) is a renegade horror classic, the subsequent nine sequels are widely considered to be tepid, half-baked follow-ups.  In this version of the story, a young woman named Riley (Odessa A’zion) struggles with drug […]

The most important thing to know about V/H/S is that it is more than the sum of its gimmicky-on-paper parts, which include found footage film, genre anthology, and snuffy homage to the recent history of lo-fi horror. Although it is not entirely free of the inherent unevenness of the omnibus film, V/H/S works surprisingly well as a whole because of consistency in the aesthetic, clever writing, and tongue-in-cheek humor across multiple directors’ vignettes. The setup involves a group of 20-something delinquents whose primary activity is shooting prank videos of a slightly racier nature than the likes of Jackass. When they […]

THE SIGNAL. This article is part of Filmmaker’s Sundance 2007 Special Coverage. Making a feature film, independent or otherwise, isn’t easy (understatement of the century). The seemingly impossible hurdle of gaining financing — not to mention the tiny details of actually executing the film and then seeking distribution — seem Herculean enough to scare off most would-be filmmakers. Now imagine directing a feature film with two other directors. Suicidal, right? Well, that’s exactly what three of Atlanta’s finest — Dan Bush, David Bruckner, and Jacob Gentry — did. The ballsy trio arrives at Sundance with their terrifying horror film, The […]