Summer’s still upon us, so it’s not too late to post this improvised commencement speech given by director David Lynch this past June at the Maharishi University of Management. Presented with a Doctor of World Peace honoris causa degree, Lynch, a proponent of Transcendental Meditation, gives a typically anodyne set of answers to students wanting to balance the practicalities demanded by the job market with the searcher for a higher consciousness. Time, Inc’s Motto provides a complete transcription of the talk. Here is Lynch answering a question about his own school years. From Motto: I was very lucky. I was […]
by Scott Macaulay on Aug 6, 2016In his latest, The Nerdwriter considers how David Lynch manipulates audience expectations to subvert cliches and mess with your response as a viewer. Central talking points: Betty’s audition and, of course, Club Silencio.
by Filmmaker Staff on May 16, 2016“As many viewers of Maya Deren‘s Meshes of the Afternoon and David Lynch‘s Mulholland Drive have recognized, there are many similarities between these two filmmakers,” writes Joel Bocko over at Fandor Keyframe. “An ordinary key is charged with dangerous supernatural power; characters multiply, bending space and time; an Angeleno atmosphere in which daydream becomes nightmare — these are just a few of Meshes‘ and Lynch’s common touchstones.” This video finds the visual connections between Lynch’s work from Twin Peaks onwards and Deren’s best-known short.
by Filmmaker Staff on Apr 26, 2016Last August we posted the trailer for the reissue of Peter Bratz’s Blue Velvet Revisited, a feature-length, Super 8 documentary on the making of David Lynch’s classic with a new score by Tuxedomoon and Cult with No Name. The footage in that trailer consisted on square, black-and-white video. Now, not one but two new teasers have been posted online with restored, color-corrected footage that reveals the full range of the film, including strange, behind-the-scenes moments, interview footage with Lynch, and the director in a nicely starched shirt buttoned up to the collar. For more on Blue Velvet Revisited, check out […]
by Scott Macaulay on Feb 14, 2016We’ll just start by apologizing up front — at Filmmaker, you know, we don’t report on every trailer, one-sheet or still photo released in support of projects of interest. These things are marketing items, you know? Advertisements. But I suspect we will be making an exception for Twin Peaks, especially now that David Lynch is back behind the camera of this Showtime 25-years-later series. A new teaser has just dropped. It’s not much, but it’s something.
by Scott Macaulay on Dec 18, 2015What defines the unmistakeable cinema of David Lynch? This recent video essay explores this question, using text from David Lynch: The Man from Another Place, the new book by Dennis Lim. “The paradox of the Lynchian sensibility is that it is at once easy to recognize and hard to define,” intones Kevin B. Lee in What is “Lynchian”? over at Fandor Keyframe. From the quaint small towns of Twin Peaks and Blue Velvet where darkness lurks beneath the surface to the haunted Los Angeles nightscapes of Lost Highway and Mulholland Drive, Lynch’s films find skewed perspectives on familiar settings. Returning to certain indelible images, Lynch has mined the same themes […]
by Paula Bernstein on Dec 16, 2015While Lynchians wait patiently for the 2017 return of Twin Peaks, a good way to pass the time might be with Dennis Lim’s new book on the director. Numerous extracts from David Lynch: The Man from Another Place have been shared online, and this part on Twin Peaks, recently published on Slate, is a fine place to start. As Lim writes: In what was widely seen as a bid to euthanize the show, ABC moved Twin Peaks to the television wasteland of Saturday night at the start of the second season. Ratings continued to decline, and in February 1991, the network put the show on hiatus, to the […]
by Vadim Rizov on Nov 16, 2015Marking the David Lynch film’s 30th Anniversary, this Fall will see the release of Peter Braatz’s Blue Velvet Revisited, a feature-length documentary consisting of Super 8 footage the director shot on the North Carolina set of Blue Velvet. Braatz previously made a short film out of this material, No Frank in Lumberton, but now he’s pulled out all the stops, commissioning a brand-new soundtrack that excites me just as much as this footage does. That soundtrack, featuring new work recorded in 2015 by Tuxedomoon, Cult with No Name and John Foxx, is already available for pre-order on Amazon and iTunes. […]
byIn the late ’80s, a troubled gay kid named Travis Blue stumbled upon a film production in his sleepy hometown of North Bend, Washington. Fascinated, Blue watched as they transformed a local restaurant into a place called the Double R Diner. The production was for a television series titled Northwest Passage, later renamed Twin Peaks. When it aired in 1990, David Lynch’s cult masterpiece became for Travis not simply an obsession, but a world he wanted to literally inhabit. Taking Laura Palmer as real life role model, Blue spent the next decade lost in various underworlds and struggling with his own […]
by Paul Dallas on May 28, 2015