On a film screen, a single edit flies by in the blink of an eye — usually, in 1/24th of a second. In the edit room, though, a cut is teased, strategized, finessed and obsessed over. We asked six editors from six of the fall’s best films to give us the frames on both sides of one particularly noteworthy cut — and to explain why these edits are so important. Call Me By Your Name Director: Luca Guadagnino Editor: Walter Fasano Fasano: Sensual. That’s the way I’d like to define our approach to the editing of Call Me By Your […]
by Filmmaker Staff on Dec 14, 2017From Annapurna comes this first trailer for Kathryn Bigelow’s feature follow-up to Zero Dark 30, Detroit. Shot by her The Hurt Locker DP Barry Ackroyd, it’s got an amazing look and Bigelow’s customary immersive, thrilling vibe as it recreates the summer of 1967 when riots rocked the Michigan city. It’s due out in August.
by Scott Macaulay on Apr 12, 2017With just a few hours notice, Michael Moore threw an impromptu party for his fans at the Toronto International Film Festival this week. Announced on Facebook, an afternoon People’s Party welcomed the first 100 folks who lined up outside a Mexican restaurant down the street from the TIFF Bell Lightbox. Also getting in were the first 100 ticket holders from the premiere of his latest doc, Where To Invade Next. The film’s a road trip that spotlights economic and political policies in other countries that Moore feels America should have. For instance: Italy, where workers get 35 days annual paid […]
by Allan Tong on Sep 19, 2015Michael Moore loves TIFF and this week he paid the festival back with a series of events and screenings, including the 25th anniversary presentation of Roger & Me and a keynote speech at the Doc Conference. The love affair began in 1989 when Roger & Me — about first-time filmmaker Moore chasing Ford Motors CEO Roger Smith to talk about layoffs that devastated his hometown of Flint, Michigan — captured the audience award and launched the film. Thom Powers, TIFF’s international documentary programmer, described the movie at the Monday night screening (to showcase the new digital restoration) as a “linchpin film […]
by Allan Tong on Sep 12, 2014This article by Tom Putnam and Brenna Sanchez about the distribution of their Detroit firefighter documentary Burn originally appeared in our Fall, 2013 print edition. It is appearing online for the first time. “The reports of my death are greatly exaggerated.” — Mark Twain As filmgoers are increasingly flooded with new media options to keep them at home, the prevailing theory is that the days of theatrical releases for independent films are in their last slow throes. We disagree because we just spent the last year filling 300- to 2,000-seat theaters in 170 cities with our firefighter documentary Burn. We […]
by Tom Putnam and Brenna Sanchez on Oct 23, 2013