Japanese horror and action master Takashi Miike is one of those directors who’s so prolific that it’s easy to take him for granted; ever since he caught American cinephiles’ attention in 1999 with Audition and Dead or Alive, he’s been cranking out something close to a half-dozen movies each year, releasing his kinetically supercharged orgies of style and violence faster than some viewers can keep up with them. While I wouldn’t try to make the case that all 100-plus Miike productions are masterpieces, when he’s firing on all cylinders – as with Audition, or last year’s First Love – he’s […]
by Jim Hemphill on Jul 3, 2020When Sergio Corbucci’s 1966 Western Django became an international hit, it kicked off one of the more surprisingly enduring series in the history of movies, though to call it a “series” is a bit misleading. In keeping with Italian cinema practices of the day, the movie spawned not only official and semi-official sequels but dozens of unsanctioned off-shoots — in some cases Westerns that had been made with no connection to Django whatsoever but which worked the name into their titles in the hope of making a quick buck. Over time the name Django became less a reference to the […]
by Jim Hemphill on May 2, 2017