DOC NYC 2025
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“The Ethical Work Hasn’t Stopped Now That the Film has Premiered”: Monica Strømdahl on Her DOC NYC-Premiering Flophouse America
Flophouse America is the unnervingly intimate feature debut of Monica Strømdahl, an internationally award-winning photographer who spent 15 years documenting the impoverished communities that have sprung up in rundown motels throughout the US. Which is how she met Mikal, an energetic, 11-year old boy who’s called home the hotel room he’s shared with his parents since the day he was born. Thus began a three-year cinematic collaboration, shot almost entirely in the aforementioned home, between the Norwegian director and the marginalized trio she captures through her quietly unwavering lens. Which allowed her, and now us, to serve as a silent […]
by Lauren Wissot on Nov 16, 2025 -
“Her Archive Was Kind of a Trail… A Filmmaker’s Trail”: Alan Berliner on his DOC NYC-debuting BENITA
Recipient of DOC NYC 2024’s Lifetime Achievement Award (as well as the 2025 Pennebaker Career Achievement Award at the upcoming Hamptons Doc Fest), the “virtuoso of essayistic documentary” Alan Berliner (Letter to the Editor, First Cousin Once Removed) returns to this year’s fest with BENITA, an unconventional portrait of an even more unconventional artist. Benita Raphan was a NYC filmmaker (and a MacDowell fellow in 2004 and a Guggenheim fellow in 2019) best known for her own short portraits of eccentric artists, from John Nash, to Buckminster Fuller, to Emily Dickinson. After graduating from the School of Visual Arts, Raphan […]
by Lauren Wissot on Nov 14, 2025 -
“The Film Is a Portrait of Amy Goodman, But It’s Also a Celebration of Resistance”: Carl Deal and Tia Lessin on their DOC NYC and IDFA-debuting Steal This Story, Please!
Steal This Story, Please! is a compelling and often unexpected look at the multi-award-winning investigative journalist (and author and syndicated columnist) Amy Goodman, best known as the host and executive producer of Democracy Now!, which airs on over 1500 public television and radio stations worldwide. Since its inception nearly three decades ago, the daily, global news broadcast has been unwaveringly dedicated to telling the stories of those on the “end of the trigger.” And shockingly, it’s been doing so entirely supported by audience dollars: no government funding, corporate sponsorship, underwriting or advertising revenue required (or allowed). Just a lot of […]
by Lauren Wissot on Nov 13, 2025
