Lena Dunham and Caveh Zahedi are among a surprisingly small group of filmmakers who make themselves the subjects of their own films. Whether it’s a man dealing with his sexual urges (Zahedi’s I Am A Sex Addict) or a girl searching for her place in a post-collegiate world (Dunham’s Tiny Furniture), their sometimes painful honesty makes audiences both laugh and cringe. We had them sit down to talk about the joys, frustrations and creative rewards of making autobiographical films.
by Filmmaker Staff on Oct 23, 2010I was fascinated by this article in the New York Times about haunted houses — no, not real ones, but the theatrical funhouse kind that pop up around the country in the lead-up to Halloween. As Jason Zinoman writes, this spookhouse tradition is now drawing not just the usual carnival workers and the more recent Christian scaremongers featured in George Ratliff’s documentary Hellhouse but theater companies, writers and directors. Here’s Zinoman on the experience crafted by the Vortex Theater Company: In terms of design and production, the Vortex’s “NYC Halloween Haunted House” — from the creators Joshua Randall and Kristjan […]
by Scott Macaulay on Oct 22, 2010Director Alix Lambert and producer Jill Peters have launched a fascinating new documentary project, He/She/He and are fundraising on Kickstarter. From their project description: Over the past decade, transsexuality and gender dysphoria have become hot topics, but what few Westerners realize is that in many parts of the world, a woman living as a man or a man living as a woman isn’t boundary busting – it’s tradition. A cinematic journey through the rituals of two very different cultures, He/She/He will change the way the viewer thinks about gender. Our journey begins with the sworn virgins of Albania, a group […]
by Scott Macaulay on Oct 21, 2010This year the Museum of Modern Art’s Film Department launched a year long retrospective of a prominent octogenarian documentarian. On opening night of the series, with the filmmaker present, the curator of the series asked during a Q&A, “do you think you’ve mellowed a bit with age?” Frederick Wiseman responded, “why does one have to mellow?” In fact, at eighty, he hasn’t at all. Yes his films have grown a touch more lyrical and perhaps one could even say tender as he enters his sixth decade as our country and perhaps the world’s most vital documentarian. Since bursting on the […]
by Brandon Harris on Oct 21, 2010Last night’s Stranger Than Fiction, the weekly documentary series at the IFC Center, “completed a circle” for programmer Thom Powers. It was while Powers was judging applications for the Garrett Scott Documentary Development Grant, a grant given by the Full Frame Festival in honor of the talented filmmaker who passed away at the age of thirty-seven, that he first learned about Cameron Yates’ film, The Canal Street Madam. As part of their grant proposal, Cameron Yates and producer Mridu Chandra had submitted a ten-minute reel of highlights from their work-in-progress. The footage impressed Powers, and he selected them as one […]
by Mary Anderson Casavant on Oct 20, 2010Announced moments ago on UStream by Elvis Mitchell, the nominees for IFP’s 20th annual Gotham Independent Film Awards have been revealed. Known as the official kick off to the awards season, a total of 26 films were nominated across six categories for an event that gives recognition to this year’s top independent films. Listed below are the full list of nominees. Standouts include Debra Granik‘s Sundance Grand Prize winner Winter’s Bone, which received Best Feature, Breakthrough Actor (for lead Jennifer Lawrence) and Best Ensemble Performance; while Lisa Cholodenko‘s The Kids Are All Right and Lena Dunam‘s Tiny Funrinture both received […]
by Jason Guerrasio on Oct 18, 2010Critic Elvis Mitchell will be livestreaming the 2010 Gotham Award nominations Monday, October 18th. Tune in and hear all the nominations, including the five films we picked for the Filmmaker-sponsored “Best Film Playing at a Theater Near You Award. More details from the press release: Signaling the official kick-off to the film awards season, the Gotham Independent Film Awards™ nominations will be announced at 1 p.m. ET / 10 a.m. / PT to a global audience on UStream TV at http://www.ustream.tv/channel/gotham-independent-film-awards-2010 There will also be a link from IFP’s website. Mitchell, currently host of the public radio show The Treatment, […]
by Scott Macaulay on Oct 15, 2010After Sam Green and Dave Cerf premiered their “live documentary” Utopia in Four Movements at Sundance, I wrote the below as part of a Sundance wrap-up at FilmInFocus. Also part of New Frontier was Sam Green and Dave Cerf’s Utopia in Four Movements. In what was billed as a “live documentary,” filmmaker Green, who previously helmed the doc, The Weather Underground, explores a precondition for revolution: a shared vision of utopia. The score was composed and played live by The Quavers (Catherine McCrae, Dennis Cronin, T. Griffin, and Cerf), and Green did live voiceover over film clips and slides. Recalling […]
by Scott Macaulay on Oct 11, 2010The Vimeo Festival + Awards has announced the winners of its first annual competition last night in New York. From the press release: A distinguished panel of judges — including M.I.A., David Lynch, Roman Coppola, Ted Hope, Lucy Walker, and Morgan Spurlock, to name a few — chose the winners from more than 6,500 entries submitted from around the world. Legendary cult Director David Lynch, who judged the Experimental Category of the Festival commented, “The quality of films I watched for the Vimeo Festival was A Number One.” Roman Coppola, film Director and founder and owner of The Directors Bureau, […]
by Scott Macaulay on Oct 10, 2010At last night’s Stranger Than Fiction, a weekly documentary series at the IFC, host Thom Powers paid tribute to underground comic icon Harvey Pekar, who died in July of this year, by screening American Splendor, the dramatization of Pekar’s celebrated autobiographical comic series about his life as a file clerk. A comics fanatic who became friends with the writer while working in the underground comic scene, Powers described discovering Pekar’s work as “a truly transformative experience.” Powers almost did not attend a screening of the film at Sundance in 2003, terrified it would do something horrible to something “so precious.” […]
by Mary Anderson Casavant on Oct 6, 2010