“I’ve been able to develop more of a sense of being from somewhere by not being there…. Your nationality starts to feel like a more important part of you when you’re away from home.” Writer, director, and editor Donal Foreman splits his time between his native Dublin and Brooklyn, his home for close to a decade. Debuting in 2017, The Image You Missed is his first feature documentary, a fictional memoir of Donal’s complex relationship with his filmmaker father, Arthur MacCaig. MacCaig, the son of Irish immigrants, was a documentary filmmaker born in New Jersey in 1948. He made his […]
by Pamela Cohn on May 29, 2019What is film but a desire to make visible that which we cannot see? Love. Hate. Or in the case of the latest from Penny Lane, pain. After having bowed at the International Film Festival of Rotterdam before, Lane’s return to the Bright Future section with the world premiere of The Pain of Others isn’t a surprise, but she’s certainly earned her place there. The found-footage, experimental doc, which despite being compiled of YouTube videos and newsreels, feels dense enough to require a dissertation on delusion, suffering and this digital age. Working in a similar form to the all-archival constructed […]
by Kiva Reardon on Feb 18, 2018If you’ve read the current print issue of Filmmaker, on stands now, you undoubtedly came across “The Shooting Parties,” Donal Foreman’s fascinating compare-and-contrast visit to three low-budget film sets. Stepping onto a truly microbudget set (i.e., virtually no budget and a one-day shoot), a film budgeted in the low six figures, and then one in the mid-six figures, Foreman discusses how money shapes one’s filmmaking philosophy. Money and filmmaking philosophy are two things on Foreman’s mind now as our correspondent, who also happens to be a writer/director, is gearing up for his first feature back in his home of Ireland. […]
by Scott Macaulay on Aug 14, 2012