It’s a golden era for “forgotten musical acts of the ’60s and ’70s” docs. While Malik Bendjelloul’s Searching for Sugar Man took home the BAFTA and an Academy Award for Best Documentary earlier this year, following a wave of acclaim after its Sundance premiere, films like Jeff Howlett and Mark Christopher Covino’s A Band Called Death, Jay Bulger’s Beware of Mr. Baker and Morgan Neville’s Twenty Feet from Stardom have ridden the festival circuit praise to their own well-received releases in recent months. Next in line is Drew DeNicola and Olivia Mori’s Big Star: Nothing Can Hurt Me, an assured, rather handsome look at the […]