Dubai International Film Festival
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Wadjda Breaks Ground with First Ever Feature Film From Saudi Arabia
The best type of filmmaking takes us into worlds we’ve never seen before. Through cinema, we can journey into the past, into the future, to outer space, just around the corner, or to the ends of the world. But there’s one place we haven’t been, until now. A new film, Wadjda, breaks down one giant cinematic barrier, marking the first feature fully shot in Saudi Arabia in the history of film. And on top of that, its director, Haifaa Al Mansour, is a woman. Wadjda, played by Waad Mohammed, is a 10-year-old girl growing up in a world built upon […]
by Ariston Anderson on Jan 30, 2013 -
2012 Dubai International Film Festival Marks a Pioneering Year for Arab Cinema
It’s difficult to walk around Dubai without being in constant awe of one’s surroundings. The modern city is nothing short of incredible. Built from the ground up within the last 40 years, a main argument it is using to win a World Expo bid in 2020, Dubai seems to boast the biggest and best in the world whether it’s fountains, skyscrapers or gold-plated flag poles. And when it comes to all things grand, the Dubai International Film Festival is no exception. Last year’s festival was taken over by Hollywood with the premiere of Mission: Impossible 4, a film complete with […]
by Ariston Anderson on Dec 19, 2012 -
Deadline Approaching for Biennale College – Cinema Microbudget Production Program
The deadline of October 22 is fast approaching for the Biennale College – Cinema, a new initiative open to first and second-time directors that will lead to the production of three micro-budget films. In a program led by the Venice Biennale in partnership with Gucci, 15 producer-director teams will take part in a ten-day filmmaking workshop, after which three projects will be selected for further development and production funding in the amount of €150,000. Projects must be able to developed, produced and edited within five months, and they will then premiere at the 2013 Venice Biennale. The Call for Application […]
by Scott Macaulay on Oct 9, 2012 -
DUBAI INTERNATIONAL FILM FESTIVAL
It’s all in the mix. I’m going to borrow from the overly quoted urban sociologist Jane Jacobs, who maintained that for a city to be vital it requires a blending of old and new neighborhoods, cultural sites, and areas of commerce. For Jacobs, Lincoln Center was poisonous, a large, concentrated collection of arts facilities that is usually lifeless and could have worked better spread out around New York City. As far as I know, Jacobs never got to Dubai. Almost everything there is new, oversized, and sanitized; the scale is not human. After all, the Emirate boasts the world’s largest […]
by Howard Feinstein on Dec 27, 2010
