Producer Adele Romanski has built quite a filmography in a very short time. Last year, she opened David Robert Mitchell’s nostalgia-laced sleeper-hit Myth of the American Sleepover. And less than two months ago, she made a splash at Sundance with Katie Aselton’s Black Rock (which sold to LD Entertainment). Throw in a stint as a Sundance Producer’s Lab Fellow, plus several projects in development (including Mitchell’s Sleepover followup Ella Walks the Beach and Adam Bowers’ We’re A Wasteland) and it should become obvious that Romanski has been, to say the least, busy. So when did she find time to direct […]