Nicholas Winding Refn’s new The Neon Demon, premiering in Competition at the 2016 Cannes Film Festival, is a nightmarish, outlandish fashion-world riff on A Star is Born in which vampiric models struggling to remain alluring in a swipe-to-the-next-one culture provide a ready-made metaphor for beauty industry soul-sucking. Elle Fanning is Jesse — blonde, beautiful, 16, and something of an empty vessel waiting to be anointed the next “It Girl.” Her journey through Angeleno nightclubs, booking agencies and photography studios is one of ribald psychological horror, as physical spaces twist and expand, friends become alien, and even her scuzzy, entirely unfashionable […]
by Scott Macaulay on May 19, 2016Sally Potter’s theoretical bent has long placed her in a strange position, in which difficult films like Yes consistently gain mainstream distribution while leaving audiences demanding refunds. Continuing this duality, Ginger & Rosa—an emotionally charged tale of two girls coming of age in the shadow of the Cuban Missile Crisis—finds Potter treating overtly political material with a level of accessibility in plot and performance that’s new to her work. Rosa (Alice Englert) and Ginger (Elle Fanning) are lifelong friends born on the same day. Rosa is the more carefree and liberated of the two, while the sensitive Ginger takes pleasure […]
by Lori Donnelly on Sep 12, 2012When I listened to Francis Ford Coppola give a master class at last year’s Marrakech Film Festival, some of the most valuable information imparted was about the creative process. So that’s what struck me when I watched this trailer of his latest film, Twixt, premiering at the Toronto International Film Festival this month. Val Kilmer stars as a mass market horror novelist, and there’s clearly some kind of meditation going on about the workings of the imagination. As quoted at First Showing, Coppola says the film “‘was inspired by the eerie writings of Nathaniel Hawthorne and Edgar Allan Poe’ and […]
by Scott Macaulay on Aug 2, 2011Todd Cole directed this short film, The Curve of Forgotten Things, for Rodarte starring Elle Fanning and with music by Deerhunter. The film was shot by Matthew J. Lloyd on the RED using Cooke lenses from the 1970s. From Nowness: As for the title, Cole explains: “It’s the title of a Richard Brautigan poem. The poem and the film are about forgotten things—circles and the curve of time.” The film follows on from last spring’s intergalactic project that Cole shot with Rodarte and comes at an extraordinary moment for the designers, whose dazzling costume contributions to Darren Aronofsky’s Black Swan […]
by Scott Macaulay on Feb 8, 2011