Ema is Pablo Larraín’s eighth feature film but has the energy of a new beginning. When I saw it at Sundance 2020, this boldly experimental narrative seemed like a new approach from the established director who had put Chilean fiction filmmaking on the international map in a new way with a rapid-fire series of films that included the Academy-nominated No (2012), Berlin Silver Bear winner The Club (2015) and Neruda (2016), as well as US projects Jackie (2016) and the recently released HBO series Lisey’s Story. A month after the festival, images from the film lingered in my mind, in […]
by David Barker on Aug 16, 2021With Ema, Chilean director Pablo Larraín moves away from the biopic (Jackie, Neruda) and the past history of his country (Tony Manero, Post Mortem, No) to turn towards its future. The film centers on Ema (Mariana Di Girolamo), a young reggaeton dancer who sees her marriage with celebrated choreographer Gastón (Gael García Bernal) crumble after their “failed” adoption. A simple enough story, but already in the film’s earliest scene, the surprising behaviors and reactions of the characters hint at their extremely modern identities. Ema and Gaston are unspeakably cruel to each other, but in their own way, they are incredibly […]
by Elena Lazic on Sep 19, 2019One benefit of an extended stay at TIFF (if you can swing it) is is allowing time for friends with trustworthy taste and far more patience to slog through non-obvious titles, then adjusting my endgame schedule accordingly for what they recommend. Hence the unexpected highlight of 29 TIFF screenings (24 features, four Wavelengths shorts programs and one revival screening of Pickpocket), Alexander Nanau’s verite doc Collective, about a scandal that had entirely passed me by. Opening title cards establish the fundamentals: a pyrotechnics accident at a 2015 concert led to a fire killing 26 on site, the death toll swelling to 64 […]
by Vadim Rizov on Sep 13, 2019