Errol Morris
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Watch Errol Morris’ Short Demon in the Freezer
Though smallpox has been eradicated, stocks of the virus remain for research purposes. Should these samples be destroyed in order to prevent them from being used as a biological weapon? Demon in the Freezer, the compelling short documentary from Academy Award-winner Errol Morris (The Fog of War: Eleven Lessons From the Life of Robert S. McNamara), explores the issue as part of The New York Times Op-Docs series. The film is Morris’ eighth film published by Op-Docs and the 200th Op-Doc video since the series launched in 2011. “It all comes down to the question of how best to protect ourselves against ourselves. […]
by Paula Bernstein on May 17, 2016 -
Tribeca 2016: Five Questions for National Bird Director Sonia Kennebeck
“Detached, inhuman and unreal” — that’s how Sonia Kennebeck describes the act of killing via Predator drones. An emblem of American foreign policy in the Obama era, so-called unmanned aerial vehicles allow nations to monitor and assassinate their enemies from thousands of miles away. Kennebeck interviews the operators and survivors of drone warfare in National Bird, her whistle-blowing documentary executive produced by Errol Morris and Wim Wenders. Below, Kennebeck discusses the ethical dilemmas of drone warfare, drones as a cinematic tool and how she found her remarkable subjects. The film screens this week at the Tribeca Film Festival and has been picked up by FilmRise for distribution. Filmmaker: […]
by Soheil Rezayazdi on Apr 20, 2016 -
Errol Morris Asks Donald Trump about the Meaning of Citizen Kane
In this interview clip from a shelved Errol Morris project, businessman and now presidential candidate Donald Trump muses on the meanings of Orson Welles’ classic film, Citizen Kane. Trump doesn’t diverge from critical orthodoxy about the film, but it’s still interesting to hear him take away the standard lesson that money isn’t everything. Still, as Jason Kottke notes, Trump can’t just help himself from throwing in conversation-ending misogynistic aside. From Morris’s site: The Movie Movie, an aborted project, is based on the idea of taking Donald Trump, Mikhail Gorbachev and others and putting them in the movies they most admire. […]
by Scott Macaulay on Sep 7, 2015 -
Watch: The Subterranean Stadium, A New Errol Morris Short Film
For his next semi-unlikely move, Errol Morris is making six shorts for ESPN Films. This first installment, The Subterranean Stadium, delves into the world of electric football. With guidance from “commissioner” John “Larue” DiCarlo, Morris uses his typically on-point interview skills (and offscreen, typically astonished-sounded questions) to guide us through a game whose players claim, plausibly, is as complex as chess.
by Filmmaker Staff on Mar 2, 2015 -
Watch: Three New Shorts from Errol Morris
“I don’t usually like my own work, but I’m rather proud of these,” tweeted the self-effacing Errol Morris, sharing a link to three new shorts about peace for the New York Times Op-Docs. His eclectic subjects include the Nobel Prize Winners Leymah Gwobee and Lech Walesa, and the nominee Bob Geldorf. Visa hired Morris to shoot the laureates as part of a commercial campaign for the World Cup, and he took the opportunity to conduct extended interviews on activism and widespread change. Head to the Times to view the short documentaries, alongside a long-form introduction by Morris.
by Sarah Salovaara on Oct 8, 2014 -
History on Autopilot: Errol Morris’ The Unknown Known
Throughout season one of The Newsroom, viewers could play an idle game before each episode: which recent news item would be put through the Aaron Sorkin wringer, morphing from painful recent incident to an amusing babble of rapid-fire speech set in comfortably familiar rhythms? Sorkin’s been around so long his trademark back-and-forth/walk-and-talk exchanges smack of self-parody even when well-executed. His familiarity/inflexibility suggests a belief that any historical event or dramatic situation can be processed through the writer’s usual dialogue tricks and emerge with a sufficiently revelatory perspective. The same erroneous assumption underlies Errol Morris’ The Unknown Known, which has expanded […]
by Vadim Rizov on Apr 14, 2014 -
Errol Morris on Stephen Hawking and A Brief History of Time (and Yo Yo Ma and Cello Playing)
The pairing of the finest scientific mind of his generation with one of America’s best documentarians and the preeminent composer of his time should, one would think, have made more of a lasting impression on the cinematic landscape. However, 20-odd years after its release, Errol Morris’ 1992 A Brief History of Time – a (liberal) adaptation of Stephen Hawking’s all-time bestseller, with a score by Philip Glass – is a title receiving a much-needed revival thanks to its release on DVD and Blu ray through Criterion. Morris’ movie, which cannily interweaves Hawking’s own compelling history with the astrophysicist’s theories of the […]
by Nick Dawson on Mar 19, 2014 -
The Act of Killing Wins Documentary BAFTA; Director Oppenheimer’s Speech Edited Online
The radical documentary, The Act of Killing, won yesterday the Best Documentary prize at the 2014 BAFTA Awards on Sunday night. In his speech, director Oppenheimer thanked his anonymous co-director, who is not able to publicly reveal his or her role in the film, and said the picture “is helping to catalyze a change in how Indonesia talks about its past…” But one section of Oppenheimer’s speech was omitted from the video, above, that BAFTA posted online. His acceptance speech also included this section: I urge us all to examine ourselves, and acknowledge that we are all closer to perpetrators […]
by Scott Macaulay on Feb 17, 2014 -
First Look at Errol Morris’ The Unknown Known
Errol Morris’ Donald Rumsfeld doc The Unknown Known played at Telluride last night (to somewhat mixed reactions), and today Vice has the first clip from the film. Delving into almost 50 years of Rumsfeld’s memos, which he refers to as “snowflakes,” the film obviously harkens back to Morris’ Oscar-winning The Fog of War — also an intimate examination of a failed U.S. war with the Secretary of Defense who oversaw it — but with a difference. Whereas Robert S. McNamara was looking back 40 years after the fact on his handling of the Vietnam war, Rumsfeld is here talking about a […]
by Nick Dawson on Aug 30, 2013 -
Errol Morris Lets Loose on The Act of Killing Controversy
Banging away on Twitter, does Errol Morris have a point? Or does he just need another scotch and water? Friday night, respected filmmaker Errol Morris fired off two quick tweets. Morris and Werner Herzog are the executive producers of The Act of Killing, which had its New York theatrical opening on Friday. In Friday night’s tweets Morris seemed annoyed and confused — actually, pissed and baffled. The two tweets were posted at 10:51 and 10:53 (EST): errolmorris @errolmorris Tired of hearing people complain that “The Act of Killing” does not provide enough background, historical context, etc. errolmorris @errolmorris Hey, read a book. Wait, aren’t […]
by Stewart Nusbaumer on Jul 22, 2013
