I had put off seeing The King’s Speech, and for good reason it turns out, though not the reason I expected. The movie is proudly what it is, and it is hard not to fall under the spell of the story. In some ways, it’s a very old-fashioned film, in the same way that True Grit is old-fashioned. The complete absence of irony. Both films simmer at the same ahistorical temperature. On the big screen, movies still have a certain scale of force absent from smaller screens. The reason to go to the movies is to be dominated, and yet […]
by Nicholas Rombes on Feb 7, 2011I received this email as a response to this week’s edition of the Filmmaker newsletter. (If you don’t get the newsletter, which contains an Editor’s Letter not appearing on this blog, you can subscribe for free here.) Scott, I always love your weekly newsletter editorials and from your last I know you need a quick, humorous distraction. The new model for film distribution occurred to me today. I’m in a creative headstorm with my editor and since our film is about humanity, the universe, and the space program under the Bush Administration, it all synthesized at once. We kidnap potential […]
by Scott Macaulay on Jun 18, 2010For a while AMC has been an approachable theater chain for independent filmmakers seeking a direct way to get their films in front of theatrical audiences. Now, the company has announced AMC Independent (“AMCi”), a program that commits screens in 60 AMC venues to independent fare. Most of the films upcoming on the initial AMCi slate are mini-major titles (Please Give, Babies) that I’m sure would have wound up on AMC screens anyway, but the fact that the company has positioned the program they way it has — and the noises they are making about future programming — are encouraging […]
by Scott Macaulay on Apr 23, 2010